Showing posts with label John Madden. Show all posts
Showing posts with label John Madden. Show all posts

Wednesday, 7 March 2012

The Best Exotic Marigold Hotel

2011. Dir: John Madden. Starring: Judi Dench, Bill Nighy, Dev Patel, Tom Wilkinson and Maggie Smith. ●●●○○



I can highly recommend watching the trailer for John Madden's The Best Exotic Marigold Hotel, it's a delightful piece of advertising with a distinctive palette, easily definable characters and the odd laugh out loud line delivery. Unfortunately I cannot recommend the movie as a whole which somehow drags that trailer over two hours without further developing the characters, providing tension or even giving the audience many more laughs.



In the pre-credits sequences we are introduced to the great and good of British acting talent through a series of short vignettes designed to develop an understanding of back-story and hint at the personalities. There's everything from Judi Dench as the resilient widow to Tom Wilkinson's down-to-earth judge stopping off at Bill Nighy and Penelope Wilton as a bickering pair of retirees choosing how to spend their later years with reduced incomes. One by one they are seduced by the tempting offer of the best exotic marigold hotel, a palce converted into a residential home for senior citizens looking for adventure and not quite requiring care.

As our dysfunctional septet make their journey to Jaipur, mixing for the first time on the plane out you rather hope their stories will intertwine, however oddly right until the end it feels like separate tales. Even as one pair find a common cause whilst another share the beginnings of an illicit romance there's never a feeling of cohesion within the group. Each day the characters go off alone to face or hide away from the world, each night they return to the culinary challenges placed on them by the hotel's love starved owner Dev Patel.

This literary convention of presenting a collection of characters all of whom must have an arc in which to travel probably works very well in Deborah Moggach's novel but I find it irritating beyond belief. In two hours it's simply too much to ask from an audience to make them care about so many personalities, so their storylines either feel irrelevant or hopelessly shortened. It's not helped by most of cast who seem content to take the money and run. Judi Dench reprises her "As Time Goes By" performance only with less one liners, whilst Tom Wilkinson reveals a secret he's kept hidden, tearing away at his soul for over 30 years, with all the gravitas of someone admitting to eating marmite with a spoon.

Maggie Smith does the best she can with an underwritten role, effectively playing a threatened working class racist bigot at the beginning and a entrepreneur with purpose at the end; it's not her fault that the scene where she undergo's her transformation makes no sense. Does she really embrace Indian culture just because an untouchable lets her rant about her life in service? By the way how old is she?

Only Celia Imrie as a glamorous granny looking for husband number 4 and Dev's over the tops pride inject any life into the film, and the scene they share just past the halfway mark is a moment of delightful farce. And no, I'm not going to tell you what happens, other than it involves a chain of misunderstanding starting with the wrong people getting in bed together.

I suppose one of the reasons that scene shines is because there were laughs to be had that hadn't already been shown in the trailer. Make no mistakes this isn't a comedy, it's a series of life lessons with comedic elements, and I rather believe that amping up the comedy may have helped the film. There were moments in the trailer that made me chortle out loud, but stretched out across the running time it felt awfully thin, just the odd joke at the expense of the more extreme characters surrounded by the self-satisfied blog posts of Judi's silver surfer. When she tapped out "With so many old people together it was inevitable one of us would die..." I nearly screamed at the screen in disgust. The average age of the 7 actors is barely 65 and none of them - bar Maggie Smith and her plot developing broken hip - look remotely like age is slowing them down, even the character that does die simply slips away during an afternoon slumber once their storyline has been resolved. It's nothing like the pain and torment and inherent boredom most of us will experience in old age.

There's not even much given to the Indian actors either. Sure Patel along with his girlfriend and mother, played by Tena Desae and Lillete Dubey respectively, have a soap opera level storyline along the lines of following your heart over tradition and family expectations, but aside from them no other Indian gets a look in. There's even two moments when Dench and Wilkinson refer to long conversations they have had independently with a husband and wife whose connection to the group has rocked their relationship to it's core, yet all we hear is a precis from the mouths of our middle class heroes.

All this sounds like I'm ragging on the film, but to be honest I did like it when I was watching. It was nice, the location work was fabulous, as Wilkinson says in the trailer "[I see the] light, colours, smiles. All life is here.", and he's right India is stunning, if nothing else this is a brilliant tourist video for the sub-continent.

I can't say I recommend it. But if you're seeing it for free don't say no. And do try out the trailer.

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Thursday, 6 October 2011

The Debt

2010. Dir: John Madden. Starring: Helen Mirren, Jessica Chastain, Sam Worthington, Martin Csokas and Tom Wilkinson. ●●●○○



Who would have thought I would spend a weekend watching two incredibly diverse films but find that both of them have deep parallels to another film I saw earlier in the year. In the case of The Debt thematically it couldn't be further from it's predecessor but if I say one of the similarities is rising star Jessica Chastain then you'll know I'm subconsciously drawn to Tree of Life, but the similarities don't end with the casting because as with Malick's free-associated meanderings there is a great movie hidden within a silly one. Only in the case of John Madden's latest it's centre is much less great and the wrapping infinitely sillier.



The film see-saws between a modern day (or mid 90's at least) Israel and 1960's East Berlin, between a trio of retired Mossad agents (Mirren, Wilkinson and Ciaran Hinds) reminiscing and basking in the glory their younger selves (Chastain, Csokas and Worthington respectively) earned kidnapping the notorious Surgeon of Buckenwald, a nazi war criminal who comes across as a amalgamation of Eichmann and Josef Mengele (as played by Gregory Peck).

The Berlin scenes are very well handled, throwing us back to muscular espionage thrillers of the past, with cut wires and stolen cars each part of the plan to smuggle Vogel (Jesper Christiansen) and his captors across the border seems so precise in it's planning that the failure of the original mission and the days the three spend, cramped together enduring the verbal onslaught of their captured socio-path, more observant and insidious than the agents could have imagined. Chastain proves her mettle as an actress here, utterly captivating as the naive but steely Rachel, watch her haunted expression outside her gynaecological visits to Vogel and you can see why her star has risen so quickly.

There are some interesting plot developments in this section, Csokas ebbing of humanity Worthington's survivors guilt and the love triangle that develops between them even identifying the conflicted soul of Vogel but alas these all lead to nothing much as the film seems anxious to return to the present. Even the second act twist, the debt of the title came as an anticlimax as we'd virtually heard the details in Mirren and Wilkinson's meaty encounters.

You see after the mission Chastain and Csokas marry and have a child who later writes a book about their exploits, keeping them in the public eye long after they should have slipped into footnote lore, so when the threat of the extent of the mission failure looks set to go public they must take action to hide the truth. Between unnecessary dialogue and Mirren prancing around like a female, sexagenarian Bourne the plot disappears into a mess of it's own making so by the time the credits role instead of the indelible image of Chastain holding back her tears you've got old people wrestling. It's undignified.

Madden is as pedestrian a director as always, able to hold a scene but adding nothing that isn't in Matthew Vaugh, Jane Goldman and Peter Straughn's script.

It's probably worth waiting to see this one on TV, and even then I'd probably change channels about 15 minutes before the end. Might be worth chasing down the Israeli original Ha-Hov though.

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Sunday, 16 January 2011

20 for 2011: 13 - The Best Exotic Marigold Hotel

The retirement home beckons with The Best Exotic Marigold Hotel at 13.



Sensing a gap in the market Dr Ravi Kapoor, a South London casualty consultant, enlists his cousin Sonny (played by Dev Patel) to open a Mumbai based Old People home for his more complicated patients. When those patients include Maggie Smith (picture with Dev above), Judi Dench, Tom Wilkinson and Bill Nighy you just know there'll be sparks flying and some serious fish out of water gags.

It's going to be tough to balance the tone for this, is it a comedy or will we mainly be learning lessons about the fragility of life? If I were to guess which of the films in the top 20 is most likely to be delayed until 2012 I would probably choose this one. Sorry.

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Tuesday, 5 January 2010

20 for 2010 - The Debt

That's right, we're at number 13 in the countdown of top films to look out for in 2010 and already we've had 3 titles starring Helen Mirren.



The Debt is a remake of the 2007 Isreali drama Ha-Hov which was nominated for 4 Awards for the Isreali Film Academy. The script has been Westernised by Matthew Vaughn and Peter Straughan making it onto the prestigious "Blacklist" before it was picked up for productioon by Miramax.

The story relates how three mossad agents (Sam Worthington, Martin Csokas and Jessica Chastain) round up and assassinate a Nazi War Criminal, only for the same criminal to unmask himself 30 years later. The agents (now grown into Ciaran Hinds, Tom Wilkinson and Helen Mirren respectively) must reunite to discover whether he is who he says he is and how their mission went wrong.

Without reading the script it's fair to say this could go one of two ways. It could be an introspective drama about the desire for vengeance and the way it rots the soul or it could be a gung ho kill the Nazis adventure. Director John Madden is certainly more experienced with the former, so I'll be happy if that's the way it goes.

Curiously, even though principle photography finished over 8 months ago we haven't seen a single still from the production of this film, and the cast have been extraordinarily tight lipped on where it is. You would have though someone might has asked Sam Worthington where it was during the Avatar publicity tour.

Apparently not which is why I would probably gues that this film may just disappear without trace by the end of the year.



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