2010. Dir: Julie Taymor. Starring: Helen Mirren, Felicity Jones, Reeve Carney, Russell Brand and Djimon Hounsou. ●●●●○
Whilst some of William Shakespeare's plays are constantly in the backs of public consciousness (Romeo and Juliet, Hamlet) others drift in and out of fashion; known more to aficionados and literature students than the average cinema goer. The Tempest definitely sits within the second set partly because Shakespeare's last play is problematic. Like A Midsummer Night's Dream it creates it's own logic; albeit significantly darker in it's intent influenced by the failing of Shakespeare's own literary skills and the King James's obsession with witchcraft. Perhaps the biggest issue, which resonates fully in a post-Iraq geopolitical world, is the ambivalent approach to imperialism and colonisation. Julie Taymor's production rather glosses over these issues, using the stunt casting of Helen Mirren in the traditional male lead of Propero (now called Prospera) as a tactic to confuse and mislead the audience's attention.
The titular storm occurs in the opening scenes of Act I, Prospera exercising her powers with the sprite Ariel (Ben Whishaw) under her control in order to wreck a passing vessel carrying the conspirators behind her exile and abandonment to the barren island where she resides. The rest of the story concerns three groups of the survivors as they respond to Prospera's machinations.
The first group contains her usurping brother Alonso (Chris Cooper) oily spreading discourse with Ferdinand (Alan Cumming) against the King of Naples (David Strathairn) with the loyal and verbose Gonzalez on hand (Tom Conti). Meanwhile Ferdinand (Reeve Carney), the heir to the throne of Naples, has been separated and introduced to Prospera's daughter Miranda (Felicity Jones) in order to test his virtue as a potential suitor.
Finally Stephano and Trinculo, comic relief as a drunkard, wasteful, working class (played by Alfred Molina and Russell Brand respectively) form a bond with the island's sole native - and Propera's slave - Caliban (Djimon Hounsou). Together they plot to overthrow the matriarchal state in which Caliban is imprisoned.
The gender change at the centre is a curious one, it allows for a much closer relationship between Prospera and Miranda, one that gives an additional urgency to the protective instincts Prospera feels towards her daughter - from the alleged lustful desire of Caliban to the shield from her work. That said it weakens Miranda who seems both whiny at times, yet also the standing up against her parent is less risky.
Of course Mirren delivers in the central role, but this isn't just a Propera show as other adaptation's have indicated. Chris Cooper is suitably menacing, virtually licking his lips as he whispers conspiracies. Tom Conti also hits the mark as the aging windbag. Brand and Molina might not be doing anything we haven't seen before but it is what they do best - Brand in particular seems to have wandered in from his stand up show. I was especially taken by Ben Whishaw's performance, at once enamoured by Prospera as well as desperately seeking his freedom from her control.
Design wise there are few film-makes more distinctive that Taymor. Sandy Powell's costume design is fantastic, from the zip encrusted noblemen ware to the seemingly pieces together costuming of the island residents. Whishaw's costumes also shone - when he appears as a crow it's beautiful frightening and captivating.
Eliott Goldenthal's music, including incidental songs, is also wonderfully integrated into the action and is among his best scores. Taymor's direction is at it's usual high standard - although she's clearly more interested in spectacle than character. Weirdly at times the film seems rushed - Prospera's about face on her knowledge seems almost whimsical.
I would heartily recommend this version of the play, but would have preferred Taymor to really try to confront the message of the story. When I leave with sympathy for Ariel's imprisonment but no opinion on Caliban's mistreatment I know there's been a trick missed.
Wednesday, 9 March 2011
The Tempest
Friday, 1 January 2010
20 for 2010 - Numbers 17 to 20
It seems hard to believe that I've been blogging so long that I'm returning to a theme I've already covered, that of the films I'm most looking forward to in 2010. In case you don't remember (or more likely weren't reading last year) on 1st January 2009 I counted down the top twenty films I was anticipating.
In retrospect it wasn't a great list. I have, so far, seen 11 of the films and only one of these made the top ten of films I actually saw - admittedly it was the final number 1 - Where the Wild Things Are. Therefore 10 were just not good enough. Of the remainder I'll be seeing The Lovely Bones and Brothers in January, Whatever Works has no sign of a UK release date, My Own Love Song has disappeared and Hachi looks like it's going striaght to video. The rest have been bumped into 2010 schedules and will be listed below as part of the countdown.
You could extrapolate that experience and try to second guess which of the top 20 will move to 2011 or drift off (I already know that one of the list has a UK release date in Jan '11), alternative you could tell me in advance which of these will make the year end top ten. There will actually be a competition later in the rundown with a bag of minstrels as the top prize (It's my cinema snack of choice).
The rules are simple.
1. I use the US release dates and schedules. I know this flies in the face of the way I do my top ten, but it's impossible to estimate how long it will take between releases here and there and it's often easier to find those details in the states. This means that It's Complicated and Precious aren't eligible even though I will see both of them.
2. On IMDB the filming must have started, and it must be recorded as a 2010 film. It's arbitrary I know, but it helps to reduce the likelihood of a film slipping into next years schedule.
3. (New Rule Alert) Films that made the list last year will be shunted to the back of this years list no matter how excited I am about them. I call this the Shutter Island rule because last year Shutter Island was the top film and I am still looking forward to it more than any other film on this list - but it wouldn't be fair to lead 2 years in a row so that, and all the other projects that have been delayed are at the back.
So, with that in mind, here are the films 20 to 17 that I am most looking forward to seeing in 2010.
17. Shutter Island Dir. Martin Scorsese. Starring Leonardo DiCaprio, Ben Kingsley and Michelle Williams.
18. Love Ranch Dir. Taylor Hackford. Starring Helen Mirren, Joe Pesci and Sergio Peris-Mencheta. (No, I couldn't find any decent screen pics apart from the one I used last year)
19. The Tempest Dir. Julie Taymor. Starring Helen Mirren, Russell Brand and Djimon Hounsou (below as Caliban).
20. Biutiful Dir. Alejandro González Iñárritu. Starring Javier Bardem, Rubén Ochandiano and Blanca Portillo.
If you want to know a little more about why I was interested in these films then take a look at the labels below and you'll see last years posts.
Look out for number 16 in the 20 for 2010 countdown tomorrow.
