Happy Birthday to
William Hurt
61 today
In the early part of his career Hurt managed to tread that fine line between being a sex symbol and a feted character actor, and over the last 20 years he's been a regular scene stealing supporting actor. Nothing of note coming up right now though.
2010. Dir: Ridley Scott. Starring: Russell Crowe, Cate Blanchett, Max von Sydow, William Hurt and Mark Strong. ●●●○○
Russell Crowe famously exclaimed "Are you entertained?" at the end of his first Gladitorial contest, and whilst I could answer a very definite yes when watching his first collaboration with director Ridley Scott here in Robin Hood I could only say that whilst I was entertained a little it was only sporadically during the film and probably not as much as I should be when watching the 'origin' tale of the bandit of Sherwood forest.
The film starts well with a frantic siege on a French castle, as the virtual bankrupt English King Richard pays for his return to Britain. We are introduced to a bunch of expendable knights and our heroes Robin Longstride (Crowe) and some Merry Men. Not only is this the best action scene in the movie, you can't fail with boiling tar and castle storming, but it also thankfully puts the Robin Hood legend into some historical context. Medieval fiefdoms essentially controlled large parts of the country with the King as only a figurehead that they report to is an important concept to put forward, as well as the appalling levels of violence and political unrest.
We also cut to London where Eleanor of Acquitaine (Eileen Atkins channelling Katherine Hepburn) is attempting to control her wayward son Prince John (the unfeasibly good looking Oscar Isaac) as he cheats on his wife and goads the French king into war. The French King who is in cahoots with John's childhood friend Sir Godfrey (Mark Strong) to attack England at it's weakest.
So far we've spent most of the film with the royal bit characters with Crowe only used as a blatant example of the british heart of oak, naturally historical accuracy helps to balance this out with Richard's untimely death and a number of convoluted twists leading Crowe back to England with the Crown (which he safely delivers to the new king) and the name and Sword of Nottingham's most influential knight.
On returning to the East Midlands he's persuaded by the cantakerous blind father of said deceased knight (Max von Sydow) and the widow Marion (Cate Blanchett) to take his place in order to prevent the state taking their castle - is this a thinly veiled support of Conservative plans to increase the Inheritance tax threshold - and to generally restore order to all of Britain.
On the plus side the script is more coherent than Kingdom of Heaven, Scott's last foray into the Middle Ages, but it does suffer from the same saggyness and lack of humour. At times we appear to be going in circles with superfluous battles and unnecessary plotting - why, for instance, does Robin's lineage have to be both significant to the plot and unknown to Crowe - and on the other hand supporting characters are given no chance to develop themselves. Why does Sir Godfrey want to help the French? Does John really believe the points he's making? Why does William Hurt consumate politician not think before he ever opens his mouth?
I said earlier that the first action scene is the best, I think it's even more fair to say the last is the worst. The invading French army land at some very big cliffs perfect to be rained on by British archers and proceed to just stand their whilst the repelling English army rides across the country to trap them on the beachfront. Of course every speaking character who's still alive joins them. Would it be silly to have Marion and Friar Tuck (a woman and an obese priest) turn up on the South coast to fight the French, of course it would, but there they are...
On the acting side Crowe tries too hard with a wavering accent so comes across the least impressive from the major performances, Blanchett gives a suitable sarcastic performance and Max von Sydow shines in his thankless role. Both Mark Strong and Matthew MacFayden (virtually cameoing as the Sheriff of Nottingham) desperately try to out Rickman each other with both of them coming short.
I suppose that comparison may even be the major issue with the film. Whilst it is a solid piece of film-making (Scott continues to make me believe he's just a hack for hire who lucked out in his early career) it has none of the sexual chemistry, derring-do or fun of either Robin Hood: Prince of Thieves or The Adventures of Robin Hood. The film may be making interesing points about Hood's place in history but it fails to entertain whilst doing it, and that, for such a wonderful folktale, is unforgiveable.
And so, a full 17 days since we started, here is my most anticipated film for 2010, hitting the bullseye is Ridley Scott's Robin Hood.
Perhaps it's an odd choice, delayed due to wrong colour leaves and with a revolving door for the cast list (Sienna Miller as Maid Marian - ugh, Vanessa Redgrave as Eleanor of Aquitaine - dropped out) there was lots to make you worry. There was also the Ridley Scott factor. I am not a fan of Scott. Whilst he has made some of the greatest films of the 20th century I think that's more luck than judgement - when things go right they go very right, but when things go wrong they go very wrong.
Consider his previous collaborations with Russell Crowe:
2000 Gladiator
2006 A Good Year
2007 American Gangster
2008 Body of Lies
Even in this small selection we can see massive highs (Gladiator) and stinking lows (A Good Year) and the others were closer to misses than hits.
But I believe this will be another high water mark. The trailer conciously echoes the feel of Gladiator and with Brian Helgeland (L.A. Confidential, Mystic River, A Knighht's Tale) on scripting duties hopefully it will be tight and without the wandering passages Scott likes to include.
The cast is also top notch, Crowe remains one of my favourite actors. His performance in even the weakest of films manages to be packed with a nuance and power that few of his generation can manage. Cate Blanchett is the perfect Marian, with the right mix of haughtiness and gentility. Casting group of largely unknowns as the Merry Men and current go-to baddie Mark Strong in a villianous role only help.
Finally I will confess a deep and abiding passion for the tales of Robin Hood. As a child one of my most thumbed books was about this extraordinary figure from English folklore. I have since devoured every version of this story, from the superb Curtiz film (the best so far) to the current BBC afternoon TV series via Disney and Kevin Costner. It's no coincidence that I ran the Robin Hood marathon last year.
The competition...
Thank you so much to Alex, Tom and Andrew for participating. Unfortunately you all missed the mark. I can understand why you guessed the films you did, The Last Airbender, Harry Potter and Toy Story 3 all look like interesting projects, and are all big summer releases. I will probably see M. Night Shyamalan's latest, but probably grudgingly. Whilst I want the Potter films to do well, I've only seen one at the cinema after having hated the first book. Talking about hating I've avoided Pixar at the cinema since my excruciating experience at Monster's Inc - I don't want to talk about it - saying that I loved Wall-E when I saw it on video and Finding Nemo is now one of my favourite films of the last 10 years so I may try and go again.
I suppose I could have given more clues, although Robin Hood was my most talked about film in the News posts from 2009, and today's birthday was no coincidence...
Anyway as no-one won, but you're all good readers who frequently make nice comments, I'm going to award a draw. I'll send small packs of minstrels - a taster rather than a chance to gorge - to each of you. Please e-mail addresses to ben-j-thomas@hotmail.co.uk and I'll pop them in the post to you.
Cheers
2007. Dir: Sean Penn. Starring: Emile Hirsch, Marcia Gay Harden, William Hurt, Catherine Keener and Vince Vaughn. ●●●●●
I won't be going to the cinema again until after my holiday so it's a number of random film reviews until then. First up was this smart and inventive biopic about the 21 year old Christopher McCandless (Hirsch) who gave away his college fund and led a life on the road, eventually escaping to the wilds in Alaska.
The film intercuts between 2 or 3 different time periods. The first, or last chronologically, is based around Chris' life in the wild, living in the Magic Bus (an abandoned vehicle in the Alaskan wilderness) and being completely self-sufficent. The second strand, which forms the largest proportion of the film, follows the previous 2 years as Chris leaves his parents and travels America, the third is the narration and flashbacks as witnessed by his sister Carine (Jena Malone). During those 2 years of wandering the earth, Chris encounters a number of other people who he alternatively learns from, and helps.
As with all films based on true events the structure, or at least the history, are already there. If this were an original narrative would director Penn have let it end the way it did, would the unresolved ties with the strings of encounters have been tied up, would Chris ever have understood the importance of family and love.
Instead we are forced to see how nature first entices McCandless then turns on him as thoroughly as his father used to beat his mother.
The performances across the board are incredible. Hirsch is captivating and utterly believable as the rich kid who's wise beyond his years, although Catherine Keener and Brian Dierker are the ones who will stay with me as a hippie couple coming to terms with their own sense of loss and showing Chris what love truly is. The film also features career highs from Vince Vaughn and Hal Holbrook.
The screenplay is a shade too literate, everyone is able to keep up with Chris' intellectualism and always say exactly what's on their mind, but this is a product of the road movie and keeps the plot moving.
The directorial choices of Penn are faultless from the structuring of the storylines to the occasion decision to break the fourth wall. And the use of Eddie Vedder's folk music soundtrack is inspired.
Of course I wanted to shout at McCandless, tell him not to go to Alaska, tell him to fall in love, have his heart broken, share life with as many people as possible. But then I can't, he has to learn his lessons himself, in the same way we all do and perhaps the greatest lesson McCandless learns is the one in writes in the margins of his Tolstoy novels: "Happiness only real when shared."
Happy Birthday to
William Hurt
59 today
Hurt is difficult to pin down as an actor. In the 80's he had an incredible run of powerhouse performances, including Body Heat and Kiss of the Spiderwoman. The Nineties were a bit dry but he's reasserted himself critically and commercially over the last couple of years (with History of Violence and The Incredible Hulk respectively). Nothing exciting coming up, mind.
