2012. Dir: Tony Gilroy. Starring: Jeremy Renner, Rachel Weisz, Edward Norton, Stacy Keach and Oscar Isaac. ●●●○○
Perspective depends very much on how you look at things. Well, duh! No, I mean that seriously. So as a child when I experienced new movies I was instantly astounded, prepared to proclaim them as cinematic masterpieces. Disney's The Fox and The Hound was the best film ever, Clue a work of comic genius, even the first 18 film I ever saw (Arnie's The Running Man) was claimed as a milestone in on-screen entertainment. For the record only one of those statements would I still describe as true. But what has this to do with my review of The Bourne Legacy? Well, friends, I have never seen a Bourne movie. I have never watched Matt Damon kill someone with a Sunday supplement, nor imagined the moral dilemmas of waking up a programmed Government assassin. So, unlike nearly every other reviewer on the web, I cannot judge Tony Gilroy's franchise extension against the previous trilogy, a comparison that doesn't favour the new film by all accounts, all I can do is compare it to thirty something years of watching action films.
And it's a perfectly acceptable slice of cinema, neither great nor bad, but diverting and fun to watch but utterly disposable.
Given my ignorance of the original movies I'm almost certainly not the target audience, the entire movie concerns a parallel story of The Bourne Supremacy bookended between Paddy Considine's journalist assassination and the trial of David Strathairn's shady CIA controller (brought back in the form of a pointless cameo with Joan Allen and Albert Finney, all of them no doubt enjoying substantial fees for one day's filming). Meanwhile numerous references to secretive projects and Government agencies make very little sense to the casual viewer. The crux being, as the advertising handily suggests, there was never just one. Never just one unaware killer and never just one corrupt agency building an army of unquestioning assassins.
As the news of Bourne's re-integration into society buzzes around the intelligence community, Jeremy Renner's supersoldier Aaron Cross is on exercises in the forests of North America, working his way across mountain and river to Oscar Isaac's isolated cabin. He's an impressive specimen, fighting off wolves bare handed, leaping across vast chasms and breaking records for reaching the shelter. Whilst he and Isaac's sulking number 3 get better acquainted Ed Norton is in damage control mode, pulling strings and closing programmes with cold efficient calculation, and soon Cross has to be taken out of the picture. Cue the start of a long game of cat and mouse where Norton and his cronies scream into telephones whilst Renner trots around the globe, always one step ahead, picking up Rachel Weisz's imperilled scientist and searching for the blue and green pills that stabilize his enhanced capabilities.
The drugs are nothing more than an international McGuffin, explained away with all the pharmacological veracity of primary science project. As the moral implications of taking an injured Iraq vet, with questionably too low an IQ to make an informed decision about his future (yes, this really is a modern Charley) turned into a fit, intelligent junkie able to volunteer for the most complex and dangerous spy missions, not to mention the extraordinary capacity to kill or maim highly trained combatants, are swept aside so Renner and Weisz can have a motorcycle chase on the bustling streets of Manila.
Renner does good action hero, suitably buff yet perennially tortured he has the perfect physicality for this sort of work. Not that he's given much chance to act, there's a nice exchange or two with Isaac, but alas much less chemistry with Weisz, possibly because here character is so underwritten and panicky. Don't get me wrong, no-one does emotional collapse quite like Rachel, but the arc is both predictable and forced.
Where the film sings is the set-pieces. A massacre in a lab is played out in real time with cold, patient camera-work and the extras acquitting themselves well as their plead or bleed through their last moments. Then a major plot twist in Weisz's house is played exceptionally well, switching from an uncomfortable interview to a chaotic gun battle in a blink of an eye. Even the final bike chase, whilst a little too long, showed some great stunt work and some excellent marksmanship.
On directorial and scripting duties Tony Gilroy brings the same high-quality, unimposing style we saw on Duplicity and Michael Clayton but alas he doesn't give his creations the zingy dialogue or intellectual sparring he brought to previous work, leaving us partly detached from the proceedings.
As I said at the beginning The Bourne Legacy isn't a bad film, but it's no great one either. Probably worth renting but not the trip to the cinema. Although personally I'm going to have to fork out on the original trilogy before watching it again.
Tuesday, 21 August 2012
The Bourne Legacy
Saturday, 18 August 2012
Dancing to it's own tune (Out this week - 18/08/12)
I don't give out many really high scores on the Runs Like a Gay Excitometer, I generally like to keep it quite low, after all there have been over 300 releases so far this year and choices have to be make, so the median average score for this year is currently 3, with only one in nine releases getting over 5, and so far only four getting a coveted 9 blobs. They were Oscar candidates The Descendants and Carnage and comic book behemoth The Dark Knight Rises all arriving with plenty of fanfare and international expectation. This week sees a very different film hitting that similar highpoint, indeed it's rather snuck up on me too. With a bevvy of high quality reviews and a strong cast breaking from their comfort zone it hard to not get excited and Canadian actress cum director Sarah Polley second feature, following the devastating Away from Her, simply has to be seen, gaining the runs like a gay film of the week approval it's Take this Waltz.
I think Seth MacFarlane probably really dislikes me, for two weeks in a row I have highly underestimated the box office potential of Ted and it second week drop was indeed less steep than The Dark Knight Rises leaving Mark Wahlberg and his belching toy still on the top of the charts. Sorry Seth, won't happen again. Meanwhile dance movie Step Up: Miami Heat was the highest new entry at 3, but it's performance was spectacularly bad, 60% less tickets than the previous entry in the body popping franchise, stand by for straight of DVD follow-ups. This week sees 2, potentially 3, US chart toppers battling it out in UK cinemas. I imagine Expendables 2 will end in clear third, mainly because of the certificate and the cheating previews of Brave and Bourne Legacy both of whom opened Monday. I suspect Pixar, will ultimately take the crown with it's savvy holiday opening strategy, but this could be an exciting weekend to follow.
Take this Waltz
Michelle Williams stars in this low-key modern tale of temptation and fidelity, whether she leaves her loving but staid husband (Seth Rogen in a piece of genius casting) for hunky rickshaw driver Luke Kirby is the central plot but if Polley brings half of the resonance of her last film then it will be about so much more. Unmissable indie drama.
Runs like a Gay Excitometer: ●●●●●●●●●○
Admittedly it has indie written all over it, but I do wonder how it all ends which is a great start for this type of movie.
Brave
As ever with Pixar the animation looks sumptious and genre changing, with Merida's hair in particular bouncing out of the screen in the feminist fairy tale. Although the first tendrils of Disney involvement, there's more than a touch of Mulan in the plot and Pixar first female protagonist could definitely sit in the feminist end of Disney Princesses. The fine Brit cast includes Kelly MacDonald in the lead, Billy Connelly, Emma Thompson and Julie Walters.
Runs like a Gay Excitometer: ●●●●●●○○○○
The Bourne Legacy
I've already caught up with the latest Bourne movie, hopefully I'll get the review out in the next few days, and you pretty much get what everyone was expecting. An average action adventure with Jeremy Renner and Tony Gilroy merely keeping the seats warm for Damon and Greengrass. The trailers seem to have worked though, it shot straight to the top last weekend in the US.
Runs like a Gay Excitometer: ●●●●●○○○○○
The Bird
It's time for a bit of French existentialism in Yves Caumon's Venice hit. A secretive kitchen worker learns to open up her life to the possibility of romance and friendship after finding a pigeon trapped in her apartment.
Runs like a Gay Excitometer: ●●●●○○○○○○
Expendables 2
Sylvester Stallone assembles an even batshit crazier band of 80's rejects for the follow-up to his 2010 hit. Jean Claude Van Damme shows up as villain Vilain and chuck Norris is on fine form to save a few asses. That said it still looks utterly forgettable pulp and the jokes drop like lead balloons over the trailer.
Runs like a Gay Excitometer: ●●●○○○○○○○
The Wedding Video
Pretty much relying on the Peep Show audience to turn up in droves this nice looking Brit comedy will probably fall between the cracks before a decent run on DVD sales. Robert Webb is the groom, Lucy Punch the Bride and Rufus Hound the best man employing a professional film crew to follow the wedding preparations.
Runs like a Gay Excitometer: ●●●○○○○○○○
The Devil's Business
Reviews of Sean Hogan's low budget horror have rated it reasonably highly, even if it owes a massive debt to last years Kill List. Two hitmen are despatched to dispose a particular thorn in a local crime bosses plan, only when they find a Satanist alter in his garage the job turns out to be more complex than was originally conceived.
Runs like a Gay Excitometer: ●●○○○○○○○○
Ek The Tiger
Globe-trotting Bollywood espionage actioner with significant funding from the US, should do well across the international markets thanks to it cross-appeal trailer and stars Salman Khan and Katrina Kaif. Tiger is Khan's undercover codename.
Runs like a Gay Excitometer: ●●○○○○○○○○
Saturday, 20 August 2011
Joan Allen
Happy Birthday to
Joan Allen
55 today
Joan's attitude to acting is fascinating, she's regularly quoted as relishing the opportunity to cry, scream, laugh and even be lustful in a controlled environment ensuring she need not do it in real life. Next up is her third stab at CIA Deputy Director in The Bourne Legacy.
Saturday, 30 July 2011
Flying through the headlines (Film News - 30/08/11)
We're getting back to normal in the news front, with three stories actually making me raise my eyebrows this week, as well as a couple of casting breakthroughs that make a lot of sense when put into context. We also heard about the deaths of two directors who, whilst minor players in Hollywood, both made iconic movies starring Alan Bates, scroll down to the end of the post to see clips of those collaborations.
Mr. Vertigo
Oh, this sounds good, an adaptation of Paul Auster's novel about levitation being worked on by Terry Gilliam. Just from that brief sentence I'm hooked to the delicious concept. The bad news is Gilliam has declared "And I’m actually working on a script of it at the moment. Doesn’t mean it will be a film; but I’m working on a script." which means that whilst we could be excited there's still a long long way to go and it may never end up being filmed, that said I'm still poised on the edge of my seat trying to find out more.
Auster's novel (cover, pictured below) is written as a first person, by our eponymous hero, [an] account of middle America in the 1920's taking in the upheavals in technology and class structure, the slow death of the carnival circuit and a few momentous historical events. It sounds like a mix of Little Big Man and this years Water for Elephants only with more levitating and with discussions of the complex relationship between art and entertainment.
But I must remember it may never get made. Gilliam's an interesting fish who struggles to get projects off the ground and finally into the can so it could be a long time before he even picks his next film let alone makes it. Patience, my friend, good things always come to those who wait.
Read on for the latest casting titbits, a full update on UK releases and a brief obituary to two well loved film directors.
Here there be Monsters
We haven't heard anything about this Brian Helgeland scripted action adventure for a while but it does appear to be moving closer to being made. Clearly influenced by the continued success of the Pirates movies and the Battleship synopsis the film sees disgraced Royal Naval officer John Paul Jones and his hunt and strategic long running battle against a giant sea serpent. Sounds delicious. Hang on, I'm British and have experience of sailing square riggers, must find out who's casting this.
Storming Las Vegas
Here's another project that literally does what it says on the tin. A Cuban born Soviet trained Commando criminal goes on a 16 month crime spree in Las Vegas in which he steals millions of dollars and is chased by LA veteran cop Lt John Alamshaw who made it his business to stop this man from tarnishing the building reputation of Las Vegas as a family friendly tourist trap. If that sounds far fetched stand by because the whole story is true, based on the book by Miami Herald columnist John Huddy the potential film will also explore the Casino's reluctance to let the crime spree get reported during the 90's boom. Currently Antoine Fuqua is attached to direct - although he's a very busy man so expect at least one of his potential films to get dropped.
Fuqua considers which of the 7 projects he's currently attached to that he's shooting.
Casting News
Nick Nolte is set to increase the wrinkle factor on Robert Redford's journalistic integrity project The Company you Keep, the role hasn't been fully announced but I wouldn't be surprised if he isn't Shia LaBeouf's bullish editor. Meanwhile the Bourne universe is solidifying with the news that Joan Allen and Albert Finney will be reprising their roles from the previous trilogy firmly establishing a connection with the rest of the franchise.
Joan, as Pamela Landy, squares off against Damon's Bourne.
Release Schedules
It's been the most frantic month for changing release schedules in a long time, with 8 new dates set from October this year right through until next December. Among them several films that made it to my top 20 for 2011 so I'm very excited to be announcing that:
Midnight in Paris - The buzz on Woody Allen's latest movie, which is currently storming along in the US box office raking in his best ever take, has been so good we're actually going to get it in the UK on the same year as American audiences. Find out why Paris is the city of romance on 07 October 2011.
Straw Dogs - Depending on your view of Sam Pakinpah's original the release date for this remake will either excite you or appal you, that said it's definitely on it's way to cinemas now. Defend your wife's honour on 04 November 2011.
Machine Gun Preacher - I'm not sure what the moving forward of two months means to this reformed biker biopic starring Gerard Butler, but with it's appearances at Toronto it could well be positioning itself as a major awards player. Fight for child soldiers on 18 November 2011.
Moneyball - Baseball movies are always a tough sell, especially outside of the States, so it's no surprise to see this mix of geeky calculus and man's rounders shifting to a weekend without any high brow competition. Hit a home run on 25 November 2011.
Haywire - Based on the conflicting Soderbergh trailers released this week you would assume Contagion is the serious movie whereas this genre exercise is just a bit of fun, but you never know with Steven's exercises. Don't be a target on 20 January 2012.
Young Adult - So far we know that the second collaboration between director Jason Reitman and writer Diablo Cody, after Juno in 2007, is missing the festival circuit and we've heard it may be tough viewing full of unlikeable characters, oddly that makes me want to see it more. Seduce you're old school friends on 10 February 2012.
Playing the Field - It's Gerard Butler again, this time playing a soccer Lothario sleeping his way through the Moms supporting the team he coaches, the tone could go either way on this. Get right into the penalty zone on 09 March 2012.
Dark Shadows - With two movies coming out in 2012, this and the stop motion animation of Frankenweenie it's hard to know which of Tim Burton's releases seems more interesting, you know though that the combination of Johnny Depp and high camp will propel this to the top of the box office. Go vampire hunting on 11 May 2012.
Anna Karenina - The first prestige costume drama of 2012 out of the gate will be Joe Wright's adaptation of Tolstoy's doorstop novel. Whilst the story speaks to everyone it's muddled and very Russian narrative has resisted classic film status in the past but hopefully this will be the adaptation that bucks the trend. Fall for someone totally inappropriate on 10 August 2012.
Savages - Oliver Stone's hippy revenge movie seems like a curious mix of his influences, potentially a stoner action movie that rips all the cliches apart I know I'll be there. Have a smoke on 28 September 2012.
Life of Pi - Ang Lee's existential kids movie - I know that sounds bizarre - is making the inevitable change to ensure it isn't competing against, and almost certainly getting lost in the mix by The Hobbit. Talk to the animals on 21 December 2012.
Django Unchained - Quentin Tarantino has obviously got the movie making bug back, after having completed Inglorious Basterds in less than a year he's giving himself only a little big longer to make his Southern. Free your wife from bondage on 28 December 2012.
Michael Cacoyannis/Silvio Narizzano
We were saddened this week to learn of the passing of two directors whose impact on cinematic history will probably be forgotten in time but who still managed to craft great moments that remain indelibly on our minds.
Fist up was Michael Cacoyannis who died on Monday aged 89. Following a brief stint as a Law student Cacoyannis instead found himself in love with the stage, his first film was the critical success Stella in 1955 and he ended his career in 1999 with the Chekhov adaptation The Cherry Orchard starring Charlotte Rampling, Alan Bates and Gerard Butler. The highlight of his career was 1964's Zorba the Greek, watch Bates (again) learn to dance in this clip that highlights the exuberance in the face of diversity that the film exhibits.
Silvio Narizano (died on Tuesday, aged 84) career is much harder to define, a TV director who only made a few films directly for cinemas, and oddly he's most fondly remembered for a BBC adaptation of Miss Marple's Body in the Library starring Joan Hickson. Still going with a theme here's a clip from Georgy Girl with the Oscar nominated Lynn Redgrave being told she's loved by Alan Bates in 1966.
Saturday, 16 July 2011
The scribblings of a genius (Film News - 16/07/11)
It's been another weak week for film news with only a couple of projects catching my eye, the first of which won't be see for at least another couple of years. I'm not completely sure why this is - are all the execs on Holiday right now? No need to dally though lets get right into:
In the Hand of Dante
We heard this week that Johnny Depp has found a director for the big screen adaptation of Nick Tosches' head scratching novel in the form of Julian Schnabel. Intertwining fictional and autobiographical accounts of the lives of Tosche, Dante and a mobster named Louis the novel focuses on a manuscript of The Divine Comedy that may or may not be the original version.
It sounds to me like a more literary version of Adaptation so I can't wait to see how the characters intersect and what direction the plot unfolds in. The pyjama wearing auteur has said the book is about everything which may not be strictly accurate but at least gives an idea of how ambitious the project will be.
Unfortunately this is a long way off being made, in a statement Schnabel said nothings been signed and Johnny just wants him to look at it and develop it over the next couple of years. I don't know but it sounds like Depp wants to have something interesting to dig out of his schedules at some point in the far off future (and not now when he's hopelessly busy with box office stinkers). Not that Schnabel has anything to worry about, after their brief but memorable collaboration on Before Night Falls (Depp plays a transvestite smuggler - below - in the 2000 Reinaldo Arenas biopic) I suspect they're both itching to get together again.
Read on for a sequel 20 years out of date and a round up of this weeks casting news.
Red Hook Summer
Appearing seemingly out of nowhere and only really a tweet and some investigative journalism is the news that Spike Lee is making a semi-sequel to his seminal 1989 movie Do the Right Thing (see poster below). It's a sequel in that he will return as the character of Mookie but not continuing the plot, although like the original movie the action will take place over a long hot summer. Obviously Lee decided to make a quick joint before seriously starting pre-production on his Old Boy remake, and I for one am far more interested in what he has to say with this.
Casting News
We may not have seen much excitement in the new films section of this weeks news, but at least the casting section sees plenty to write home about. The most interesting story was hearing Joaquin Pheonix is attached to the forthcoming Spike Jonze and Andy Kaufman collaboration. This is great news as it means Pheonix's career has somehow survived his I'm Still Here stunt and we also picked up the movie will be a political satire concerning world leaders planning future crises - sounds intriguing. Edward Norton is being considered for bad guy duties in The Bourne Legacy, the eclectic cast of He Loves Me is getting more interesting with Elliott Gould, Antonio Banderas and Steve Coogan signing on in support and further to last week Josh Brolin is being consider for the Old Boy remake.
Saturday, 14 May 2011
Here Boy, fetch. (Film News - 14/05/11)
It's Cannes this week. Admittedly it's unlikely you've had missed it. An odd thing happens during the world's most prestigious film festival - Hollywood effectively shuts up. All news over these ten days must come through the Croisette. This means there's loads of talk but little actual stuff going on. Very few stories getting any traction. That said there are a couple here that may excite.
Human Nature
So Darren Aronofsky won't be directing The Wolverine, although with no movement on that for some time I'm beginning to wonder if the whole venture is looking like it's been given up on, but what will he turn to instead. This point last year he had half a dozen projects all in contention but it appears he's gone leftfield and chosen a 15 year old script that's been sitting in development hell for most of that time.
With George Clooney as a possible star Jeff Welch's spec focuses on a man cryogenically frozen who wakes to find that mankind is longer the dominant species and now exist as pets. This will no doubt raise some fascinating ethical points about the morality of owning animals and what it means to be a human as well as hopefully including some kick-ass action set pieces.
Of all of Aronofsky's options I will confess this one excites me the most. We all wanted him to try something bigger in scope after Black Swan and this a more mind bending sci-fi premise than anything else discussed. Plus I wouldn't mind having George Clooney as a pet!
I doubt if any scenes like this will make the final cut, but I am rather hoping they might...
Read on for thuggish criminals, cinematic experiments and the latest casting rumours from Cannes and elsewhere.
Borderline
My main question with this run of the mill looking thriller, from Justin Marks the writer of Street Fighter: The Legend of Chun-Li, will be how the family taken by hostages where the FATHER WITH EVERYTHING ON THE LINE must confront the CRIMINAL WITH NOTHING TO LOSE somehow connects to the title. Will it start and end by a National border or will the soundtrack be filled with early Madonna tracks. Keep tuned to find out first.
Five Obstructions, take 2
Intriguing but highly unlikely as it is the rumour that Martin Scorsese and Lars von Trier will be working together on a new project is coming out of Cannes again. Apparently Marty will take a look back at his early works and remake a short five times using certain rules as stipulated by the mad Dane, similar to The Five Obstructions documentary in 2003. Frankly I still doubt it will happen however if it does the combination of a director as willing to experiment as much as Scorsese with the punishing von Trier at his back is irresistible.
A screencap from the 2003 documentary directed by Jørgen Leth, with advice from Lars von Trier.
Casting News
Standby for handbags at dawn over Rachel Weisz as she adds The Bourne Legacy and possibly the now confirmed Johnny Depp starring remake of The Thin Man to her potential slate of forthcoming movies, unfortunately it may clash with Oz, the Great and Powerful so someone's going to miss out. I still think Al Pacino has a couple of great performances in him (even though some others from his heyday are utterly spent) so it's good to see him sign up as an older Mob advisor in Barry Levinson's Gotti: Three Generations, oh I am aware that he may just coast on his form in the genre but I'm still hoping for something special. David O. Russell is convinced he wants to work with his muse Mark Wahlberg again, whatever the project ends up being as he's signed him onto the cast list of The Silver Lining's Playbook although whether that will actually be the next film he makes is still in the air.
Sunday, 24 April 2011
Will he or won't he (Film News - 23/04/11)
Not exactly an exciting week for cinema stories, I guess the proximity to Easter/Passover and other spring based breaks has meant progress in the studios has been slow. That said I did here about a couple of new projects they may just make fascinating films in the years to come, or might just be my chace to ogle at muscly men.
Parker
Like Jason Statham for instance. Who is set to star for Taylor Hackford (??!!) in this big screen spin-off of Donald E. Westlake's series of novels. I say spin-off as the film will only use the central character (the eponymous burglar) as a starting point and will create it's own plot.
Parker himself seems like the type of rugged hero Statham was born to play, he is described as never stealing from those who need it - although quite how this will be shown in the movie remains to be seen - and he never kills. Unless he has to. So expect a high body count, and maybe he'll give some chage to a charity collector.
The main question of course is whether he'll find an excuse to rip off his shirt Transporter style. I'm guessing there's at least one scene where he shows off his stunning body (cue body)
and tries to prove he isn't gay by sleeping with an underwritten female character.
Read on for industrialists, mid-air heroics and the usual update of casting stories.
Aristotle O
The recent "Kennedys" series may have underwhelmed critically and commercially but it has renewed interest somewhat in that particular political dynasty and it's various connections, which ma go somewhere to explaining why an Aristotle Onassis (left) biopic is being planned by Branlio Mantovani and Fernando Meirelles (the writer and director combination of City of God). The Greek shipping tycoon famously wooed Jackie Kennedy following the assasination of JFK. Robert Lindsay has played Aristotle to great acclaim on the London stage over the last year, however I suspect any big screen adaptation will go for bigger names in the main roles.
Flight
Licking his wounds after the disasterous box-office performance of the 3D motion capture Mars Needs Moms and the consequent cancellation of Yellow Submarine producer Robert Zemeckis is preparing to return to live-action with this dramedy about the aftermath of a plane crash. Denzel Washington (who is currently in negotiations) will play the pilot of a passenger jet forced to make an emergency landing in part due to him being incapacitated on drink and/or drugs. Hailed as a hero in the headlines the film will focus on whether he admits to what happened or goes along with that. Sounds like a slight spin on Accidental Hero but with Zemeckis there to make the opening scenes exciting and a potential powerful performance of guilt and remorse from Washington (baring in mind he's been coasting in action movies for at least 5 years) this could be one to watch.
Casting News
It's been all go on the casting front. Ian Holm has been confirmed as Old Bilbo in The Hobbit, therefore proving there will be a section where Bilbo is old... And to my surprise (and believe me I'm feeling a little contrite about what I said in the past) Jeremy Renner will definitely be the Bourne substitute in The Bourne Legacy. Oliver Stone's Savages has picked up a impresive array of supporting players with John Travolta, Uma Thurman and Emile Hirsch entering the fray. Ralph Fiennes may be the Magwich we'll looking for in Great Expectations and finally Sam Raimi and the "studios" are squaring off about casting a minor role in Oz, the Great and Powerful - he wants Hilary Swank, they want Michelle Williams - given the role is for an elder witch I would pass over both of them and use an actress in her fifties, after all there are loads of them.
Sunday, 3 April 2011
Is the tide about to turn? (Film News - 02/04/11)
It's an odd week to be writing up, very little on the news front that could possibly excite anyone. That said I was interested in an unusual box office related piece which taken in conjunction with one film that I was planning to bury after the jump makes a fascinating leader.
Untitled Yang Guifei project
Or why Hollywood may stop being the Holiday destination for talent.
At CinemaCon's annual conference for U.S. theatre owners an interesting statistic was dominating the first day. Warner Bros. noted a 65% expansion in the Chinese Film Market in 2010, and with 3 new screens opening every day on average the total take in China is likely to outstrip the U.S. within the decade. Given the pummelling the U.S. box office is getting at the moment this could come sooner than they project. Overall studios will therefore need to be more mindful of the potential of overseas, especially Chinese, exports.
At present there's a strict quota on American films shown in China but whilst the Communist government is planning to relax that it will take more to persuade the audiences to switch to non-homegrown talent. Just look at France which still enjoys a thriving market for French produced films. As audiences and box office take increase the knock on effect will be an increase in budgets for Chinese films. With increasing budgets comes increasing salaries and before you know it everyone wants to work for the Chinese film industry.
Which brings me to the second story - it has already started. Antoine Fuqua, the very American director of Training Day and Shooter has been recruited to direct a tragic period epic about the relationship between the 8th Century Emperor Xuanzong and of the four most celebrated beauties of ancient China Yang Guifei. It's an immensely popular story in China, celebrated in poetry, art (like the example below) and opera over the years and it will certainly be a challenge to bring it to the silver screen.
With a budget of 200m Yuan (about $30m) it will add considerable international cachet to both the project and Fuqua which could substantially improve it's international box office potential. Whether Fuqua is the right (most subtle) person for the job is another question, as is the delayed Tupac Shakur biopic which he was due to film this summer.
Whatever happens though this is definitely something to watch out for.
Read on for Zombies taking over the world (if they can get the money) and politically challenging women (being fought over by men). Plus the latest casting news and round up of new projects kicking off production.
World War Z
Those of you who thought the big screen adaptation of Max Brooks' excellent Zombie Apocalypse novel was dead in the water (excuse the pun) fear not as funding discussions between Paramount and other studios in order to get together enough money to do it justice. The bad news is that they obviously think they need a lot of money to do it justice - given that the unique selling point of the book is that it's all done in interviews which shouldn't need much cash at all that makes me think it will be a lot more expansive and - potentially - rubbish.
Untitled Gertude Bell biopic
British minor aristocracy meddling in the Middle East seem to be the order of the day at the moment. A few weeks ago we looked at the potential biopic of Lady Hester Stanhope and today it's Gertrude Bell CBE (above), the archaeologist, writer and all-round good egg. Active on behalf of the British Government during the First World War she is credited, along with T.E. Lawrence of uniting the Arab tribes in order to fight the Ottoman Empire. After the way her work was instrumental in establishing what is now Iraq. Ridley Scott is saying he wants to direct a film of her life (cannily mixing the proto-feminism of Thelma and Louise with the geopolitical knowledge of Kingdom of Heaven) but he'll have to duke it out with Werner Herzog who's been planning a film of her life for many years. Now that's a celebrity death match I'd pay to see, my money's on Herzog getting out of the gate first after all Scott's already linked to about a dozen other projects.
Casting News
The biggest casting story this week is for Roger Michell's Hyde Park on Hudson, which we briefly discussed last week, not that we have a replacement Colin Firth and Helena Bonham Carter (as the British royals on a jolly to the States) but Bill Murray has signed on as Franklin D. Roosevelt. Superb casting there, both with the look and the mix of humour and gravitas that only Murray can bring to the screen. We're on cameo alert with the confirmation that Johnny Depp will paint a little in Martin Scorcese's Hugo Cabret and the latest potential obligatory Avengers trailer for Thor which might be Jeremy Renner in full Hawkeye mode, which at least makes more sense than Samuel L.'s Nick Fury who we've met before (I still doubt it's necessary). Talking of Renner some websites have been reporting he's close to being announced as Matt Damon's replacement for The Bourne Legacy. I doubt that's true - wouldn't the character be just a bit too close to his Mission: Impossible franchise-stealing Brandt.
Production News
I've been on IMDb again. So sue me. The following projects, all of which we've mentioned before, have kicked off the production process: TV to movie adaptation The Man from U.N.C.L.E, Ski dramedy Woodchucks, Monk Meditation Silence and the Anjelina Jolie version of Cleopatra (now with David Fincher rumoured as director). This is on top of Hype Park on Hudson and the Yang Guifei project mentioned above.
The following, though, I had never heard of until I checked this week.
Bumped
Well, it existed yesterday, but it's already been pulled into obscurity (in development) on IMDb. I know nothing but it's a comedy called "Bumped" from the director of Bill and Ted's Excellent Adventure and Man of the House so could be great fun or utterly dreadful.
Castro's Daughter
A biopic of Alina Fernandez, the exiled daughter of Fidel Castro (natch), who fled Cuba in 1993 (disguised as a bewigged Spanish tourist). Since then she's written a tell-all autobiography (below) and now hosts a Miami based radio programme which looks at Cuban politics. It's unlikely to be completely balanced.
Sunday, 27 February 2011
Film Musical event of a lifetime (Film News - 26/02/11)
Wow, Oscar night already. I'd love to pretend I'll be staying up all night to watch it but it is on exceptionally late and isn't on free view here either, so I guess I'll catch up with the winners in the morning. In the meantime here are some articles that have caught my eye, as well as the monthly update on cinema release dates for films we've covered here in the past.
Les Miserables
It's one of the most successful and popular musicals of all time, last year it past it's 26th anniversary on Broadway and it's 10,000's performance in London, and yet there hasn't been a film adaptation for Alain Boublil and Claude-Michel Schonberg's work. Not that they haven't tried both Alan Parker and Bruce Beresford have had high-profile attempts to put it together but it's all come to nothing, until now. With the world at his feet, and the prospect of a surprise best Director oscar this evening, Tom Hooper is seriously considering taking it on as his next project. You know damn well that it will be massively popular, but will it be any good?
I confess I've never seen the musical, in spite of the exhortations of a number of my friends, for me it seems to be a monumental folly, an extraordinarily overlong retelling of an already padded out novel (Victor Hugo, not known for his brevity). However it has won numerous Olivier and Tony awards, a few of the tunes are catchy and I don't know anyone who's really hated it. It's also pretty clear that a movie with this sort of heritage will produce a much better box office return than, say Nine even if recreating the French revolution will cost significantly more and may thereby resurrect the moribund musical genre.
Another factor going for the adaptation is the central relationship between petty criminal Valjean and obsessive policeman Javert which should create an interesting dynamic for the two actors who takes these roles, and as we've all seen recently Hooper is a master at dissecting male relationships. Keep our fingers crossed for this I think.
Read on for timeless romance, Miami vice, more dream levels, an old mans love, unsolved murders, soccer and a fast and loose biopic. As well as the usual round-up of castings and release schedules.
Adaline
Gabriele Muccino is obviously gutted at losing Passengers from his schedule as he's now considering another sci-fi inflected romance, this time about a woman who stops aging at the turn of the 20th century until she meets the right man. The project previously has Andy (Hitch) Tennant and Katherine Heigl attached but with them dropping out it seems the film may be leaning more to the weepie audience. It's a difficult combo to get right, but I wish them the very best. 
Cocaine Cowboys
The dramatic retelling of 2006's documentary (left) hit might still be in the works, according to David O. Russell and Mark Wahlberg. It focuses on 70's crime icon Jon Roberts and his aspirations and experiences with drug cartels in Miami. Right now it looks like we'll have Russell and Wahlberg collaborating for the fourth time soon whatever film he decides to make.
Inception 2
Tom Hardy has waxed lyrically this week about his forthcoming role in The Dark Knight Rises for which he plans to bulk up (what, even more you say) but he also let slip that his contract for Inception included a lock-in clause for a sequel. I very much hope that's a legal machination to prevent the rights falling into the wrong hands and not an indication that the story will continue. I quite like the open-ended ending it currently has.
Old Mans War
I always see to be writing about sci-fi movies here, yet exceptionally few of them ever get made. Really at the moment there's only Prometheus and the Avatar sequels on the horizon. So please read on with a healthy dose of scepticism as Paramount have picked up the rights to John Scalzi's highly praised novel (left). The memories and personality of a septuagenarian are transplanted into a genetically enhanced body of a young soldier. The plot then gets weird when he meets a woman who reminds him of his dead wife. On board to direct is Wolfgang Petersen (Das Boot, Poseiden) which seems like an odd choice so expect some changes before it goes before the cameras.
Paperboy
It looks like Precious director Lee Daniels has finally settled on his next project, and the bad news it's a thriller (I'm still trying to forget Shadowboxer). Based on the Pete Dexter's Florida set novel it meanders through a complex plot involving investigative journalism and unsolved murders whilst touching upon the seedy underside of the popular holiday destination. He's been talking to Bradley Cooper, Sofia Vergara and Alex Pettyfer about heading up the cast.
Seigneurs
Football doesn't often make it to the big screen, the latest attempt Goal was seen as a horrendous failure, but that hasn't stopped this latest French comedy from getting the go ahead. It will focus on a former star player who coaches his local amateur team in an isolated fishing community in Northern France. Combined with Zebras and Playing the Field it looks like soccer is beginning to ascend in cinema.
Strange Adventures of H.P. Lovecraft
A couple of years ago we heard about a fictional biopic of sci-fi author H.P. Lovecraft (there he is on the right, and you can kind of see why he wrote sci-fi novels) but then the trail ran cold. The latest update is that Big Fish/The Nines scribe John August has been brought on to revise the script. August has a solid genre background so he should be a nice addition to this dreams unleashed project.
Casting News
There's been the usual round of casting speculations including a (very)longlist of actors vying to replace Matt Damon as the central character in Bourne Legacy including Jake Gyllenhaal, Tobey Maguire, Joel Edgerton, Garret Hedlund, Kellen Lutz and on and on for 10 more possible actors! Robert Downey Jnr is all but confirmed as Paul Thomas Anderson's private eye in Inherent Vice, Uma Thurman and Jessica Biel will be among the ladies Gerard Butler will woo in Playing the Field, and Rachel Weisz, Naomi Watts and Rebecca Hall have all been linked to roles in the Matt Damon/Ben Affleck wife swap drama The Trade - that is providing the wives and players in the New York Yankees who inspired the story don't manage to prevent it from even happening in the courts.
Release Schedules
Not much going on with the latest release changes. I guess we're still consolidating after the winter. Mind you summer's beginning to look less empty - I now have two movies I want to see between 20 May and 02 September - shame they're both out on the same date.
Hanna - Who'd've thought that Joe Wright would be making a summer tent pole movie - well the latest release shift for his hit girl thriller has shifted straight into the mid May onslaught. Seek revenge through your children on 06 May 2011.
Conspirator - Robert Redford's historic-political drama about the trial of Mary Surratt shuffled out of Toronto last year with little support but it should still pick up an audience in a dull looking summer. Join mob mentality on 01 July 2011.
War Horse - Spielberg's still settling on a final release pattern for his patented serious and silly combo with this latest tiny shift. Follow your pet across Europe on 25 March 2011.
Bourne Legacy - It's yet to really enter into the pre-production phase, in fact as you can see above they're still 14 stars to disappoint before they can even begin, however the latest Bourne movie has a release. Forget your past on 17 August 2012.
No, Damon won't be appearing in this.
Sunday, 10 October 2010
It all comes back to me now (Film News - 09/10/10)
It's all virtually back to normal now. I've been able to look up the news for three weeks in a row and the total stories for this week are manageable - even if it's still been on the busy side. There's been some interesting revelations this week although it's been mainly casting news on projects I've already mentioned. If you don't mind I will continue to use the format of a casting news section after the new projects underway.
The Bourne Legacy
The most celebrated story of the week was the news that the most interesting and successful action series in many years, the one that effectively reinvigorated Bond and rewrote the book on spy thrillers, is not finished. Yes Bourne is back with The Legacy currently being prepped for a 2012 release.
In the past the star Matt Damon has very clearly stated that he wouldn't go back to the franchise unless Paul Greengrass (director of Supremacy and Ultimatum) was on board. Obviously that would be a major loss to the series. It's hard to imagine anyone else playing Bourne and Greengrass has made a unique stamp on his films with the handheld cinematography and closeness to the brutal action. That said the man behind the camera will be Bourne writer Tony Gilroy and Damon is beginning to falter on the issue.
What say you? I love Gilroy's output as a director and would be delighted to see him taking on this project, but that said - in spite of the ambiguity of the title - I see little point on carrying on without Damon (below - see what I did two pics of Matt in one week).
I've just read that Gilroy's firmly stated Damon won't be returning as Bourne. Very upset. Please feel free to comment.
Read on for murders in the Holy land and loads of casting news...
Dimiter
So William Peter Blatty's latest novel (left), about a extraordinary US agent who stumbles across a mystery whilst escaping through Jerusalem, is currently undergoing a big screen rewrite. No surprise there Blatty's work, which touches on the supernatural, touches both the horror and action thriller genres with a touch of cop procedural thrown in too. What is exciting is that William Friedkin is in talks to direct. That's the same combination behind The Exorcist, and if this comes even close to hitting the zeitgeist in the way that collaboration did look out for a box office winner with some shockingly good performances.
Casting News
And here we go with the latest rumours for the actors.
Retirement dramedy The Best Exotic Marigold Hotel has started filming and among the geriatric cast are Oscar winners Judi Dench, Maggie Smith and nominee Tom Wilkinson.
Thomas Haden Church, who's having a great week, has signed up for Killer Joe and We Bought a Zoo both in unnamed parts. In that second project he's also joining the recently announced Matt Damon and Amy Adams.
Brad Pitt and Anjelina Jolie are rumoured to be co-starring again in Darren Aronofsky's The Tiger, of course that's dependent on whether Aronofsky will take any of the other myriad offers being presented to him right now.
And finally the latest names to be attached to Katheryn Bigelow's Hurt Locker follow-up Triple Frontier are Johnny Depp and Tom Hanks, it's not clear if these are additions or replacements to the earlier rumours of Will Smith, Javier Bardem and Sean Penn but just imagine the five of those sharing screen time... 
She'll have her hands full that's for sure.
