Very quiet this week, after five weeks of double figure releases we're down to just seven picks hitting the multiplexes (although if I'm perfectly honest only 3 of them are actually coming on strong with the other four all limited release foreign language choices). We're deep within the blockbuster season now, with all the necessary large scale counterprogramming that is such a part of the season. Mind you choosing the top film this week is hardly a stretch. There aren't many US auteurs as recognisable as Wes Anderson, every frame, every shot can instantly be categorised as part of his canon, and it's fair to say the style has it's fans and acolytes - note how last years Submarine was instantly compared to Anderson's work. Unsurprisingly then the runs like a gay film of the week is Moonrise Kingdom.
Last week The Dictator did indeed climb it's way to the top of the box office charts, taking nearly double Avenger Assemble in it's fourth weekend. Although both of these will drift downwards now, especially Sacha Baron Cohen's showcase which will, I expect, slip significantly leaving an easy win for Will Smith's return to the big screen with Men in Black 3.
Moonrise Kingdom
Anderson is an acquired taste, a director who splits audiences between those who can stomach his artificial and ordered universe and those who cannot. Personally I tend to err of the anti-side but I cannot deny the superb reviews and craftmanship involved so it's an easy pick for the top film. As ever the cast for this teenage love story is amazing with Bill Murray, Edward Norton, Frances McDormand, Tilda Swinton and a cameoing Harvey Keitel among the stars on board.
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Read on for a unique take on fairy tales, time travelling aliens and the ultimate in self help book adaptations.
There's an element of enforced quirk to the proceedings, but couldn't you just take any frame from this trailer and put it on your wall?
Tales of the Night
This French animation is both exceptionally simply and deliciously complex in it's central conceit of using traditional silhouette puppetry styles to illustrate original fairy stories. If I had kids this would what I would take to the cinema to see.
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Hommes Libres
The classic French resistance sub-genre gets a welcome twist highlighting Algerian immigrants in their fight to help defeat the Nazi's from within. Cultural and religiously clashes abound in the thriller trailer and any film that includes the combined talents of Tahar Rahim and Michael Lonsdale must be worth taking a punt on.
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Men in Black 3
Coming 10 years after a disappointing sequel amid horrendous production difficulties it comes as no surprise that early reviews of the third entry in the popular comedic alien franchise have been scathing. Based on Will Smith's very own time travel idea it's a chance to see whether his charisma and box office pulling power has been retained after nearly four years off. I certainly won't be heading out to see the finished product no matter how well it performs with the masses or how good Josh Brolin's impersonation of Tommy Lee Jones. Emma Thompson also stars.
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Gabbar Singh
Appearing on just two screens is this Teluga movie from India boasting a simple plot revolving around a cop, and thug with political ambitions and a pretty girl. Expect lots of action, the odd song and a predictable ending.
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What to Expect when You're Expecting
Hollywood has officially run out of ideas as evidenced by the bizarre choice to turn a how to guide about pregnancy into a hyperlink comedy (I expect all the stories end happily). The all-star cast is led by Cameron Diaz, Elizabeth Banks, Jennifer Lopez and Anna Kendrick, each of whom will take the money and run whilst the film flops at the box office.
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Rahe Chardi Kala Punjab Di
Punjabi melodrama about an adopted Muslim girl trying to reunite with her Sikh birth parents and all the emotional and religious baggage you'd expect from such a tumultuous set-up.
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Saturday, 26 May 2012
Following your own formula (Out this week - 25/05/12)
Friday, 24 December 2010
Booking my ticket to my own circle of hell (Out this week - 24/12/10)
Do you want the good news or the bad news? Well, the good news is that's it's Christmas weekend. We all have the opportunity to spend time in the loving arms of our families, feasting on festive treats and spreading the joy of the season. The bad news: cinemas are virtually no go areas. This is officially the worst week I can remember, certainly the worst since I've been writing up the releases. The even more horrifying news is that I have to choose a film of the week - I can't just advise to stay at home or go sledging - so under duress I have to pick the plain awful looking Little Fockers. I'm so very sorry.
I also missed a few films over the past few weeks so there is a mini catch-up as well.
Arthur and the Great Adventure
Belated sequel of the French produced digi-animation. Now with more R'n'B stars in the cast, including Will-I-Am and Snoop Dogg - you have to wonder what their agents were thinking - and the revenge of the villainous Maltazard.
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Chatroom
I'm not sure why but Hideo Nakata, director of Ringu, has filmed his latest horror flick in London and has almost certainly lost all of his faculties. A Breakfast Club like selection of teens join an online social network site only to find it's run by a homicidal maniac.
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Little Fockers
I feel so very bad having this as number one, although I suspect it will top the box office charts so at least I won't be actually paying for it. The uncomedy Father/son-in-law duo Robert De Niro and Ben Stiller reunite for another "wacky" set of adventures probably involving child excrement's. Amazingly the supporting cast includes Dustin Hoffman and Barbra Streisand (both returning) as well as newbies Harvey Keitel and Laura Dern.
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Tees Mar Khan
The first of Two Bollywood entries for this week (and I honestly think if these films were shown to critics there would have been an even chance of one of them being film of the week) is a Akshay Kumar starring action comedy. They were playing the songs on a loop at the Spice of India last week and I was getting into it.
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Toonpur Ka Superhero
This one truly does look dreadful. A family find themselves into a subterranean world entirely populated by badly drawn cartoons in this family adventure. Looks like a less interesting and less funny Roger Rabbit.
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And on to the missing films (please note I have been checking back to the beginning of the year in order to ensure my records are correct).
From 17 December 2010
Manmadhan Ambu
Very little information around about this Tamil film, comments on the youtube trailer page oddly concentrate on the atheistic sentiments expressed by one of it's stars, Kamal Hassan, during a recent interview.
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From 10 December 2010
A Serbian Film
Repulsive looking gorno masquerading as allegory about the history of Serbia. A retired porn star gets tricked into working for a sadistic director hellbent on making a snuff film to end all snuff films. Extreme sequences of sexual violence, and not for the faint-hearted.
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From 03 December 2010
Chikku Bikku
I had the strangest feeling that I'd seen the trailer for this part UK set Bollywood movie before. I still didn't like it.
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Mar Jawan Gur Khake
I think it's a romantic comedy - seriously if anyone reads this blog and has any sway with Boolywood films tell them to - at the very least - submit a synopsis to Pearl and Dean. Thank you.
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Simran
Not even a trailer this time. but I don know that ones of the songs is Ve Kude Patole Bargi, that it's filmed in Punjabi and that Gunghu Gill, Simran Randhawa and Sheetal Bedi star.
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From 03 December 2010
Leap Year
Not to be confused with the dreadful Amy Adams comedy earlier in the year this is a meditative study of a Mexican woman longing for connection to a man and her masochistic carnal desires that result.
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Sleeping Princess
It's a Turkish film, so don't expect subtlety but there is some interesting looking stuff in the trailer for this modern day fairy tale based around an eternal optimist looking for a better life.
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From 18 June 2010
Journey to Mecca
Really no excuses for missing this, to be honest I thought it was a documentary (and there are some filmed passages during the Hajj, the fifth pillar of Islam) but for the most part this is a biopic of the student and explorer Ibn Battuta who travelled, in 1325, from Morocco to the Arabian peninsula to carry out this sacred act.
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Thursday, 13 May 2010
Harvey Keitel
Happy Birthday to
Harvey Keitel
71 today
Harvey has an amazing capacity to appear in both fantastic films and incredible guff, although it's worth noting the better projects are drying up again (and no I'm not counting his voice cameo in Inglorious Basterds); in fact you need to go back to the mid 90's before he was last on form. I just hope his work as Gene Hunt in the American version of Life on Mars is winning some new fans.
Wednesday, 26 August 2009
Inglorious Basterds
2009. Dir: Quentin Tarantino. Starring: Brad Pitt, Mélanie Laurent, Christoph Waltz, Eli Roth and Michael Fassbender. ●●●○○
I have an extraordinary dilemma in reviewing Tarantino's latest feature, in that over the last few days since I saw the film I have had three distinct reactions to it.
Whilst watching it, and indeed whilst whistling the closing credits on the way home, I was like a small boy. Imagining I could take on the entire Nazi party, wondering what levels of destruction I could do single handedly, gleefully chuckling as my (imaginery) machine gun torn off the face of passers-by who looked at me funny. Later my film theorist intellectual side reminded me of the various nods to classic cinema, nods to Ford, Aldrich and Godard among others. The intellectual revelled in the period detail and tha audacity of the project, praising the way that tension was built up in each scene.
With the Id and Ego satisfied I could have easily written a five blob review of Basterds on Saturday night, however it was then that the Super-Ego kicked in and I began to have very serious doubts about the film.
To understand this I ought to briefly describe the plot, or at least precis it as much as is possible. There are in essence 2 storylines involving revenge and vengeance. The first involves Shosanna Dreyfus (Laurent) surving the massacre of her family at the hands of Col. Hans "The Jew Hunter" Landa (Waltz) and then following a handy set of coincidences having the opportunity to take a few Nazi's out. The second revolves around LT. Aldo Raine's (Pitt) squad of Basterds, an elite group of Jewish scalp hunters who intend to demoralise German troops in France and their final mission involving the British and German undercover spies. Both storylines come to a head in the cinema owned by Shosanna and a bloody climax ensues.
Tarantino breaks this up into 5 chapters, each of which jumps to the opposing storyline and essentially allows the tension to build from scratch to a different shocking or exciting denoument. Each of the chapters specifically invokes ideas of different genres, and I don't deny I will almost certainly pore over a DVD copy when I can to look for the changes in the camera angles and lighting that reflect each chapter's core style. The tension is in a large part due to Tarantino's hyper-real dialogue with it's playful use of language. Conversations that dance and skirt around major plot points occur in every chapter, whether it's Landa interrogating a French peasant or gentle probing of adversaries to look for weakness as in the LaLouisiane scene.
The actors given these scenes manage to excel Waltz and Laurent do an especially good job, but the performances from Fassbender as British film critic turned spy Lt. Archie Hicox and Diane Kruger as German film star Bridget von Hammersmark are very impressive. Pitt, Roth and the rest of the Basterds are so grossly underwritten that their sections could easily have been cut out completely but for the connections with the other plot strands.
In keeping with the references to other cinematic landmarks Tarantino does his best to constant remind you that you're watching a film. There are a couple of bizarre narrative sections from Samuel L. Jackson, character names are scrawled on the screen, history is revised to such an extent that it makes Braveheart seem accurate and there's even a burst of David Bowie in the soundtrack. With all of these elements together the film can safely be excused as a fantasy, a nerdy film geek getting his own back on history and executing his own private revenge on Hitler.
However there is something rotten at the core of Inglorious Basterds. There were three key moments in the movie where Tarantino clearly shows his hand and possible shows his contempt for humanity. SPOILERS follow from here, so please do not read on unless you are prepared.
1. The Basterds have beaten a German squad during an engagement and now have three prisoners. They interrogate the Sergeant in order to identify the location and armaments of the next nearest unit. Unsurpringly he refuses to tell them so "The Bear Jew" (Roth) is called to execute him, using a baseball bat naturally. The German soldier is prepared to die, Roth asks him whether he received his Iron Cross for killing Jews, he replies "for bravery" then wham! Roth beats him to death. It is bloody and deliberate and close to being funny. The implication is that the bravery doesn't matter, that in some way that Sergeant was complicit with the greatest crimes of the Nazi's, purely due to him putting the uniform on. I disagree with this sentiment whilst discrimination and segregation of ethnic groups was commonly practised most Germans were unaware of the genocide being committed by the Nazi party at the time. It is also sad that we are not given an understanding of the extraordinary peril this soldier would have faced to be given his Iron Cross.
2. Bravery by soldiers leads us nicely to another point. The only German creditted with any extraordinary ability is Fredrick Zoller (Daniel Brühl) who as a sniper killed over 200 allied troops from his bell tower vantage point. For most of the film he seems couteous and, whilst not shy about his talents, at least humourous and diffident in front of Shosanna with whom he has become infatuated. During the final cinema scene, watching the Nazi propaganda piece Nation's Pride based on his accomplishements and starring Zoller he visible shuffles in his seat, and eventually excuses himself. For a moment I imagined that he had doubts about what he had done, feelings of guilt or compassion. He goes to Shosanna in the projection room and then turns into an agressive bully - suddenly seeming like he's more likely to rape her than woo her. The possiblity of a noble German or a character identifying the sanctity of human life is again dashed.
3. Finally the film ends with a massacre. Many people are killed. Lots are Nazi generals and politico's, others are simply film makers. The issue of killing civilians, or whether it is right to replace one brutal regime with another is not raised. The victims are shot and then fall down dead, there are no injuries or pain just turning from one state of living to a state of death. The treatment of war is not just cartoonish but frightening.
SPOILERS OVER.
All these elements add up to make me feel that in spite of the brilliance at work, in spite of how enjoyable the film was, I simply cannot endorse a film which treats people which such contempt. Thare's a lot of gloss here, but no humanity.
