It's an odd week to be writing up, very little on the news front that could possibly excite anyone. That said I was interested in an unusual box office related piece which taken in conjunction with one film that I was planning to bury after the jump makes a fascinating leader.
Untitled Yang Guifei project
Or why Hollywood may stop being the Holiday destination for talent.
At CinemaCon's annual conference for U.S. theatre owners an interesting statistic was dominating the first day. Warner Bros. noted a 65% expansion in the Chinese Film Market in 2010, and with 3 new screens opening every day on average the total take in China is likely to outstrip the U.S. within the decade. Given the pummelling the U.S. box office is getting at the moment this could come sooner than they project. Overall studios will therefore need to be more mindful of the potential of overseas, especially Chinese, exports.
At present there's a strict quota on American films shown in China but whilst the Communist government is planning to relax that it will take more to persuade the audiences to switch to non-homegrown talent. Just look at France which still enjoys a thriving market for French produced films. As audiences and box office take increase the knock on effect will be an increase in budgets for Chinese films. With increasing budgets comes increasing salaries and before you know it everyone wants to work for the Chinese film industry.
Which brings me to the second story - it has already started. Antoine Fuqua, the very American director of Training Day and Shooter has been recruited to direct a tragic period epic about the relationship between the 8th Century Emperor Xuanzong and of the four most celebrated beauties of ancient China Yang Guifei. It's an immensely popular story in China, celebrated in poetry, art (like the example below) and opera over the years and it will certainly be a challenge to bring it to the silver screen.
With a budget of 200m Yuan (about $30m) it will add considerable international cachet to both the project and Fuqua which could substantially improve it's international box office potential. Whether Fuqua is the right (most subtle) person for the job is another question, as is the delayed Tupac Shakur biopic which he was due to film this summer.
Whatever happens though this is definitely something to watch out for.
Read on for Zombies taking over the world (if they can get the money) and politically challenging women (being fought over by men). Plus the latest casting news and round up of new projects kicking off production.
World War Z
Those of you who thought the big screen adaptation of Max Brooks' excellent Zombie Apocalypse novel was dead in the water (excuse the pun) fear not as funding discussions between Paramount and other studios in order to get together enough money to do it justice. The bad news is that they obviously think they need a lot of money to do it justice - given that the unique selling point of the book is that it's all done in interviews which shouldn't need much cash at all that makes me think it will be a lot more expansive and - potentially - rubbish.
Untitled Gertude Bell biopic
British minor aristocracy meddling in the Middle East seem to be the order of the day at the moment. A few weeks ago we looked at the potential biopic of Lady Hester Stanhope and today it's Gertrude Bell CBE (above), the archaeologist, writer and all-round good egg. Active on behalf of the British Government during the First World War she is credited, along with T.E. Lawrence of uniting the Arab tribes in order to fight the Ottoman Empire. After the way her work was instrumental in establishing what is now Iraq. Ridley Scott is saying he wants to direct a film of her life (cannily mixing the proto-feminism of Thelma and Louise with the geopolitical knowledge of Kingdom of Heaven) but he'll have to duke it out with Werner Herzog who's been planning a film of her life for many years. Now that's a celebrity death match I'd pay to see, my money's on Herzog getting out of the gate first after all Scott's already linked to about a dozen other projects.
Casting News
The biggest casting story this week is for Roger Michell's Hyde Park on Hudson, which we briefly discussed last week, not that we have a replacement Colin Firth and Helena Bonham Carter (as the British royals on a jolly to the States) but Bill Murray has signed on as Franklin D. Roosevelt. Superb casting there, both with the look and the mix of humour and gravitas that only Murray can bring to the screen. We're on cameo alert with the confirmation that Johnny Depp will paint a little in Martin Scorcese's Hugo Cabret and the latest potential obligatory Avengers trailer for Thor which might be Jeremy Renner in full Hawkeye mode, which at least makes more sense than Samuel L.'s Nick Fury who we've met before (I still doubt it's necessary). Talking of Renner some websites have been reporting he's close to being announced as Matt Damon's replacement for The Bourne Legacy. I doubt that's true - wouldn't the character be just a bit too close to his Mission: Impossible franchise-stealing Brandt.
Production News
I've been on IMDb again. So sue me. The following projects, all of which we've mentioned before, have kicked off the production process: TV to movie adaptation The Man from U.N.C.L.E, Ski dramedy Woodchucks, Monk Meditation Silence and the Anjelina Jolie version of Cleopatra (now with David Fincher rumoured as director). This is on top of Hype Park on Hudson and the Yang Guifei project mentioned above.
The following, though, I had never heard of until I checked this week.
Bumped
Well, it existed yesterday, but it's already been pulled into obscurity (in development) on IMDb. I know nothing but it's a comedy called "Bumped" from the director of Bill and Ted's Excellent Adventure and Man of the House so could be great fun or utterly dreadful.
Castro's Daughter
A biopic of Alina Fernandez, the exiled daughter of Fidel Castro (natch), who fled Cuba in 1993 (disguised as a bewigged Spanish tourist). Since then she's written a tell-all autobiography (below) and now hosts a Miami based radio programme which looks at Cuban politics. It's unlikely to be completely balanced.
Sunday, 3 April 2011
Is the tide about to turn? (Film News - 02/04/11)
Wednesday, 16 June 2010
Brooklyn's Finest
2009. Dir: Antoine Fuqua. Starring: Richard Gere, Don Cheadle, Ethan Hawke, Wesley Snipes and Vincent D'Onofrio. ●●●○○
Solidly gripping Brooklyn's Finest is a clear film de Antoine Fuqua displaying all the macho posturing, bling and shots of the sun that you expect from him. However it comes short of the sum of it's parts and the chain of coincidences seems forced and - just a little - incoherent.
We start with three convenient cliched cop characters; a disolusioned alcoholic bobby-on-the-beat about to retire (Gere), a family man being dragged into corruption to have a chance to support his brood (Hawke) and an undercover agent who's so far in his loyalties are in question (Cheadle). By using these familiar settings Fuqua is trying to both shortcut the introduction to these stereotypes and introduce an overriding operatic arch to their variations.
That it doesn't work is perhaps because whilst we know every beat of the characters he still feels the need to introduce routin and charcter for the first half of the film, thereby rushing the drag toward the climax. In this way we believe the motivations of the lead trio because they tell us that it's so and not because we've organically come to understand their feelings.
Of the three storylines the one that suffers the most is loner Richard Gere who doesn't quite have the gravitas to fill the role, and we are left slightly confused as to why after dodging the police work for many years he gets involved with the final crescendo of violence. Don Cheadle does an excellent job in his third, ably matched by Wesley Snipes as the drug dealer he can't allow himself to betray.
But it's Ethan Hawke who does the best in his role, reunited with his Training Day director, essentially playing the moment between when that character tips into Denzel Washington's and lets the desperation and catholic guilt flow through him. There's a very nicely shot scene in a confessional (it's in the trailer and works better in context) with Hawke railing against God's impotence.
Brian F O'Byrne (Million Dollar Baby, Before the Devil Knows You're Dead) is also convincing as Hawke's conscience, a fellow drugs officer trying to keep him on the straight and narrow.
You'll notice we've only mentioned the male actors, this is because Fuqua can only direct women in how they are connected to the men, as wives and whores. Even Ellen Barkin as Cheadle FBI superior is really just a man with a skirt, with every edge of femininity erased from her - either by the job or by the screenwriters. The message of this is clear; out on the streets women either need rescuing or protecting or they're not really women.
The technical aspects are fine, and Fuqua is obviously comfortable with the hip hop and drug ridden streets that he invokes with the movie.
Overall I would say this picture over does the exposition and rushes into the climax, it's fairly watchable but definitely worth waiting until it comes out on DVD for a beer and a pizza on a quiet Friday night.
Saturday, 16 January 2010
Film News (16/01/10)
It's been an odd week for headlines, with some massive upcoming films that I've chosen to ignore. This could be because they're oddly dull - hello to Harrison Ford who's really keen on Indiana Jones 5 - or because I think the news is really bad - Sony are making a big mistake dropping Raimi and Maguire from Spider-man 4, don't they realise it was studio pressure that caused the drop in quality of the last film? Saying that there have been lots of other stories bubbling away...
The Chancellor Manuscript
Last year you couldn't move for news on Robert Ludlum adaptations. We had the Parsifal Mosaic linked to Ron Howard and David Cronenburg picking up the Matarese Circle and neither were a surprise following the massive populairty of the Bourne series. Both projects have gone quiet so this week it was the turn of The Chancellor Manusript about a novelist who gets entangled in a dark and dangerous plot to forever alter US policy (I'm guessing it's a foreign policy, or related to big business and not, say, about fishing rights).
Marc Forster has signed on to direct, clearly getting over the ribbing he got for Quantum of Solace, and Leonardo DiCaprio is looking to play the titular Peter Chancellor.
This is Robert Ludlum, by the way, complete with bizarre cigarette holder.
Consent to Kill
You hear a title like Consent to Kill and you can probably guess the plot... No?.. Well it's about a CIA assassin with a cowardly boss and a massive price on his head. Sound familiar? Of course it does, it's like a big mess of cliches, but apparently it is serious. We'll just have to wait and see what Devil's Advocate scribe Jonathan Lemkin can do with a premise like that.
Held by the Taliban/Nemesis
OK, so there's nothing David Rhode's diary of 9 months held in a Taliban stronghold has in common with Mark Millar's new graphic novel, except that both have some crazy rumours going round about who might be directing the big screen adaptations.
Kathryn Bigelow and Terrence Malick have both throw their hat in the ring for the former project - that's a big deal as Bigelow is extremely hot right now due to the stong Hurt Locker critical buzz and Malick, who has a superb track record and has never ben known to rush into things, very quickly said he was interested when news of Bigelow's involvement was released. Whichever way that goes it's worth keeping an eye on it.
On Nemesis Millar has announced on his blog that he's in talks with Sam Raimi and Guy Ritchie. That seems unlikely as both we surely be looking carefully at their current slates. Millar work is highly regarded though, so maybe there'll be some shifting to accommodate it.
Kill Bill 3
Quentin Tarantino has been mouthing off about his upcoming films by refusing to say what he's currently working on. He has said the third installment of the Kill Bill anthology is still planned for 2014, ten years after Bill died in volume 2. I can't remember why he wants to go back to the story, or who's turn it will be to wreck bloody revenge, but I expect it will be more self indulgent than enything he's done in the past.
The Outcast
Sadie Jones' novel about the teenage boy struggling to cope with the death of his mother in post-war Britain has been picked up by Blueprint Pictures. The book was a best seller back in early 2008 so it's hardly surprising it's been picked up, but as it has a tendency to focus on small gestures and character appearances to build tension it may be tough to adapt. We'll see.
Will
High concept comedies are very tough to get right, so it's with trepidation I turn to Will about a world where everyone's life is scripted in advance by angels except one day one of the writers quits leaving our hero free (free will geddit??!!) to make his own choices. Paul Rudd is Will, Zack Galifrankis is his striking writer, Little Miss Sunshine creators Jonathan Dayton and Valerie Faris are calling the shots and the script comes from comic Demetri Martin. That's good pedigree and probably a team that can make this work.
Win Win
In the publicity tour for The Last Station Paul Giamatti has blurted out his next film will be Tom McCarthy's follow up to The Visitor. No details have been released about the film and so far everyone, including Paul's publicist is denying it, but it's good to see that soemtimes even the most experienced actors get so excitied about projects they spill the beans to reporters.
