Showing posts with label Jennifer Lawrence. Show all posts
Showing posts with label Jennifer Lawrence. Show all posts

Sunday, 23 September 2012

Some body count (Out this week - 21/09/12)

At first I was going to write about the sudden dramatic change in tone between the generally upbeat lite-comedy of last weekend and the thumping visceral action heavy output of this weekend.  But then I stopped to think whether that was really true and of course it's not.  It's just the films that appeal to me have changed.  It's a quirk of the scheduling that meant last weekend we have Meryl Streep and Woody Allen and now it's Brad Pitt and Oliver Stone.  So with a zero body count from 7 days ago I'm about to head to cinemas with the sure knowledge that will be crushed.  I'm thinking over 30 corpses between the two top films.  With the Runs like a Gay film of the week Killing Them Softly


There are lies, damned lies and statistics.  So said Mark Twain in his autobiography.  So bearing that in mind I'm calling last weekend's box office prediction a success.  What?  But RLAG said it would be ParaNorman yet any idiot with a Guardian can see it's The Sweeney claiming the crown.  Yes, true, but Nick Love's gritty crime flick (you see there were some last week) only squeezes into pole if you take into account two days of previews, an advantage the zombie tackling stop-motion didn't have, take that out and Laika studios are the clear winners.  Take that Regan and Carter, hooray for the misunderstood kid.  There are two action flicks competing this weekend, both with similar screen counts, but I think the shorter running time and generally better reviews will enable Killing Them Softly to edge ahead, making it the first time in ages the film of the week is also predicted as box office champ.

Killing Them Softly

It is generally agreed that Andrew Dominik's last movie, the intense balletic Jesse James film, is a modern masterpiece.  So all eyes were on his follow up at Cannes earlier in the year.  It comes as no surprise that the adaptation of George V. Higgins' pulp 70's novel hasn't quite reached the standards of his previous film, but it seems punchy and didactic and should still be an exciting and unmissable film event.

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Read on for drug cartels out of control, a special tool for ladies, more buildings you shouldn't go into and every trailer for films released this weekend.



There's a hint of Dominik's assured work behind the camera and this could be another knock out performance from Brad Pitt.  Honestly how could you resist?

Savages

Never a film maker renowned for his subtlety it looks like Oliver Stone has temporarily dropped the champagne socialism for a balls to the wall drug cartel action flick, featuring every Hispanic actor you know and a few up and coming white stars as the heroes this does seem to promise suitable amounts of mayhem and violence.

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Hysteria

Prepare for everything you though you knew about the sex life of Victorians to be wrong as you enter into the strange beginnings of the vibrators.  First produced and marketed as a medical aid to calm hysterical woman this fun period drama (more like Carry on Merchant Ivory) sees the patriarchal doctors, led by Jonathan Pryce telling the women what's best for their ailments whilst Maggie Gyllenhaal's proto-feminist is keen to tell him it's only about pleasure.

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Heroine


It's a Bollywood movie about Bollywood, centering around a star trying to stay at the top of her game.  I'm not sure whether casting massive star Kareena Kapoor in the leading role will help, but it's warts and all look inside the Inidan movie business is bound to gets bums on seats so we can expect this to slip into the fringes of the top ten this weekend.

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House at the end of the Street

I can't claim to have learnt that much advice for living from trips to the multiplex.  Sure I've picked up some stuff about history, but for every moral there's another film that subverts it.  Except in the case of horror where it is the perceived wisdom that if a serial killing once took place in a house then it's best to just get the fuck out of there.  I don't think Elisabeth Shue and Jennifer Lawrence are quite as cine-literate as I am.

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Inbred

Yorkshire based horror which sees a bunch of delinquents from London off on a field trip with their right-on carers only to find it'a particularly grim up north when the locals fancy a bit of torture the newbies.  A friend of mine from Yorkshire pointed the trailer out to me months ago and got all flustered about the regional stereotyping.  It gets an extra blob just for that.

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Now is Good

It's Love Story meets The Bucket List as Dakota Fanning goes all Cancer won't defeat me in this young adult weepie.  I hear it hits all the marks for the teenage target audience and the solid presence of Paddy Considine and Olivia Williams will have the adults in tears too.

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Tower Block

The vagaries of production times and release dates means we get the second James Moran script in a few weeks and whilst this doesn't have the enjoyable tone of Cockneys vs Zombies there's still a notable tension in this mysterious sniper in the council estate thriller.  Nice cast of TV names too.

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Untouchable

It's broken box office records in it's native France and proved to be an enormous crowd pleasing success across Europe and America, so it'll be interesting to see how this dramedy about a quadriplegic millionaire Francois Cluzet and the former thug he hires to care for him Omar Sy does in the UK.  If you ask me the tone is a little difficult to pin down, with it's nauseating "we all have disabilities" theme.  Maybe I'm just too cynical.

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You are God

Polish flick with a a tiny release window.  Telling the true story of Eastern European rap outfit Paktofonika and their tragic fron man Magik.  I imagine this is a movie playing very much to it's core audience, but if you're interested in the history of rap and how it's been taken up across the globe this should be worth catching.

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How to Make Love to a Woman

If you do want to see this instructional comedy, in the vein of a marginally less bawdy American Pie, then you've already missed your chance as it hung around in a limited number of cinemas during week nights only.  Still it won't be long before it appears in a bargain bin near you.

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The Prophet

I wanted to give this odd documentary more blobs but I honestly couldn't justify it, however the almost performance reading aspects - Thandie Newton voice overs extracts from Kahil Gibran's cult guide to living - whilst Gary Tarn finds some notable and exquisitely related things to film.  This is more art than art-house and almost certainly deserves checking out if you're able to do so.

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Saturday, 24 March 2012

One Million Presales? (Out this week - 23/03/12)

There are few things more difficult to understand than the forces of collective anticipation. It invariably feeds on itself but it can’t be reconciled to any particular factor, nor can a project be pre-selected as a potential lucrative goldmine. You probably need to hit the zeitgeist first, that intractable will ’o’ the wisp that raises a subject into public consciousness, witness the ground-breaking special effects of Avatar, the out of nowhere Jack Sparrow performance or the untimely passing of Heath Ledger for recent examples that dragged a film into the billion dollar club. This week we’re witnessing something akin to that with the release of The Hunger Games, the RLAG film of the week, and whilst I wouldn’t want to predict that large a haul from the partial indie I think few can doubt it will be in the top ten biggest international grosses of the year.

It’s easy to argue the film will do well purely because the book is doing well, or even because of the extreme stage-management of it’s publicity, for some time last year barely a week went by without a casting announcement or the release of an image plus the post-Twilight feminism that guarantees a young adult audience driven by the girls as well as the boys; and whilst these have had an impact I would argue they only partly explain it’s likely profitability. I would like to posit that the 99% are understanding and accepting the social satire and political message of the movie even whilst cheering on the 12a violence. It’s occupy Panem and the corrupt self-serving ultra capitalist state it represents. The revolution won’t be starting here, but I expect it adds some fuel to the fire.



I’m still hanging my head in shame after last weekend’s post. Not only did I miss out on a British indie release (not that it stood any chance of picking up a sizeable audience anyway given it’s one screen pre-DVD strategy) but I also fluffed the box office predictions, even whilst making clear in the post I originally had other predictions. Yes, it was the critically ravaged Devil Inside that hit first and hit hard on the publicity circuit and beat off the action comedy 21 Jump Street by nearly 30%. This weeks is insanely easy to predict so I guess if Katniss isn’t standing astride her competitors with bow and arrow in hand I guess I’ll eat my Caesar Flickerman latex mask.

The Hunger Games

I may be reading too much into the plot synopsis of Suzanne Collins’ acclaimed series of books in the comments above but it’s certainly safe to say the Battle Royale meets The Grapes of Wrath in a dystopian alternative future treads the fine line between kiddie entertainment and brutal black comedy. Even though I personally won’t be going to see it (the trailer didn’t wow me as much as it should, it does seem a touch packaged in it’s approach to marketing) I do hope it does well, as I hope all new ideas do well, as Andrew Stanton recently pronounced in John Carter interviews “[The film industry]... isn’t a zero-sum game.” Increased sales for one film generally improve the likelihood of other films succeeding. Backing up Jennifer Lawrence as out heroine Katniss are the ever-reliable Woody Harrelson and Stanley Tucci in key supporting roles.

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It isn’t all about the YA’s this weekend, read on the brave counterprogramming form overseas and gangster Britflicks as well as a bizarre movie to compare HG with from the States.




Still not personally drawn in but when it beats all opening weekend records I'll be prepared to shut up.


Kid with a Bike



The arthouse crowd don't have too much to fear from the multiplexes, being catered for as they are by the redoubtable Dardennes. What's more the simplicity of the plot (it's literally about a kid with a bike, albeit a kid in foster care goign for rides witha local hairdresser) is an interesting way to get into the Belgian's oeuvre.

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Wild Bill



The British Gangster movie, a sub-genre that blossomed with Guy Ritchie's Lock Stock back in the late 90's has seemed like it was about to collapse in on itself ever since, but occasionally between the sub-par dreck a little gem can appear like paternal crisis spin by first time director Dexter Fletcher. Charlie Creed-Miles stars as the eponymous Bill trying to go straight and bring up his lads, left behind after an 8 year stretch.

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Agent Vinod



We're might be sick to death of remakes in the West, not that it stops Hollywood from trundling on, but at least it's not a purely Anglo problem as this Bollywood release is a remake of a 1977 hit. Saying that it's looks hardly more than a Bourne rip-off anyway.

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Bu Son Olsun



I have no idea whether the somewhat difficult subject matter of this Turkish movie will work - it's a comedy about five homeless guys sent to prison following the military coup in the 1980's and witnessing the results of the corrupt politics and gang violence. It could be biting and surreal, although my money is on it being crass and disrespectful. Feel free to contradict in the comments.

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Sümela'nin sifresi: Temel



Screwball comedy set in North Eastern Turkey which in essence follows a man desperately in love but unable to tell her. A football mad Iman and Russian hooker are among the supporting characters dragged into his "wacky adventures".

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Act of Valour



I promised you some odd counterprogramming this weekend and here you go. Facing off against Katniss and the neo-fascist society she lives in is this unashamed US military propaganda, the type of movie you didn't think they made anymore. Needless to say no civilians are killed in this SEALS recruitment video. I'm shocked it's done so well in the States and rather hope it won't start a trend of large indies co-operating with governments at the expense of subtlety and good story-writing.

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Oh, and one more thing:

Booked Out



Last week I missed the release of this low key British comedy about the misadventures of a photographic artist/novelist, the boy she falls for and her dementia ridden neighbour. Oddly I did see the Guardian review, which was reasonable positive, but I didn't see any listing that included the movie. I wasn't the only one to miss it as it took a paltry £223 in one site. Looking at the trailer it probably deserved more than that, but I have to ask why didn't they try harder to sell it?

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Saturday, 28 January 2012

Reflecting on what you didn't know (Out this week - 27/01/12)

So it's been Oscar nomination week, and as usual there have been a number of films that I thought were excellent that haven't come close to a nod, likewise quite a few I disliked that the Academy have swooned over. That said the 9 films listed as the best of the year seem like a good bunch even if there were some notable snubs elsewhere in the pack. Here in the UK we are still working through the big contenders as they arrive in cinemas, and one long considered favourite opens this weekend and naturally takes my top spot. Elsewhere we see wolves, monsters and doomed romances. Last week, to my surprise, Haywire was the biggest new release just beating Underworld: Awakening but missing out on the top spot to the second week of release from Spielberg's horse epic. I'm learning from my mistakes and given the imbalance in screens and it's likeable, kid friendly trailer I predict Monster in Paris will be the chart topper, although almost certainly second overall. The Runs like a Gay film of the week remains less commercial, but it should pick up some strong audience numbers, it's The Descendants



Descendants



Gorgeous George has just picked up his fourth acting Oscar nomination, although Shailene Woodley as his daughter noticeably missed out, for this Hawaii set dramedy about a father coming to terms with the death of his unfaithful wife. Alexander Payne directs for the first time in 7 years, getting an Oscar nod for his efforts, and brings his caustic, unemotional gaze to family dynamics. Robert Forster also stars.

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Grey



It's Liam Neeson versus the wolves, as the Ulsterman's later career as a kick-ass action hero continues into even weirder directions. The basic premise of a bunch of oil workers getting picked off by the man eating artic residents sounds fairly watchable, even if the whispered oscar campaign for Neeson next year seems strangely optimistic.

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Intruders



More Spanish horror, although with a geographical twist whereby we spend equal time in London as in Spain, following two families united by a teenage child with a monster in the cupboard. Clive Owen is the doubting father in the British section.

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Like Crazy



Highly buzzed Sundance title from 2011 with Felicity Jones and Anton Yelchin entering into a doomed, mostly improvised romance bound to get caught up with VISA difficulties and enforced seperations. Jennifer Lawrence has a minor role.

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Monster in Paris



Fun looking French (no kidding) animation involving a radioactive flea with a remarkable ability to play guitar and a series of slapstick chases. It's been re-dubbed into L'Anglais and should do well in these kiddy unfriendly months of winter.

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Agneepath



Popular Bollywood adventure, which opened one day early to capitalise on it's pre-release buzz. Saying that the plot, which follows the standard rise to criminal kingpin then return to village story, seems fairly soapy and the trailer did nothing for me.

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Alls well ends Well 2011



Not quite the Bard update it seems like in the title, this Cantonese rom-com has been released to coincide with Chinese New Year. Not quite as barmy as last weeks sex shop romp.

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Berlin Kaplani



Turkish-German film collaboration (Berlin has a huge Turkish community in case you weren't aware) with a surprisingly chubby pugilistic protagonist looking for that miracle fight to propel him into the big time.

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House of Tolerance



Don't take your kids to this French movie by mistake, it's laborious, nostalgic look at the working of a turns of the century Parisien brothel may make for an awkward car ride home. Apparently the leopard steals the show.

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Polish Roulette



It's like a UN meeting at cinemas this week, with this Eastern European gangster comedy, sometimes known as Sztos 2, being the eighth state contributing to cinema this weekend. I've not seen Sztos 1 but the alternative title suggests that may not be completely necessary.

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Spanish Masala



Fish out of water Mayalaman comedy, like a reverse version of Like Crazy with an Indian national stuck, VISA less in Spain unable to return home. Only for a Spanish daughter of an Ambassador to rescue him and set him up as a chef.

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Acts of Godfrey



Odd British drama, with a distinctly unusual delivery style. Yes the entire screenplay has been written in rhyming couplets. As an exercise it appears to work quite well, however countless reviews indicate the story isn't compelling enough to make the film worth watching.

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Monday, 15 August 2011

Jennifer Lawrence


Happy Birthday to

Jennifer Lawrence

21 today


Bursting onto the scene at last years Sundance with her superb performance in Winter's Bone (right) later earning an Oscar nomination. She's doing well off it to, straight into a supporting X-Men role and next up the Hunger Games. Saying that I'm most looking forward to seeing her in David O. Russell's Silver linings Playbook.

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Friday, 17 June 2011

Modern Telegrams (Out this week - 17/06/11)

It's tough to predict what will happen to box office figures this week. With this years second green superhero squaring off against a very well publicised Cameron Diaz comedic video there's plenty of choice for the less discerning cinema goer (although of those I'd probably go for Diaz). Of course neither option comes close to my film of the week, which is the absorbing and poignant Messenger.




Messenger

Oren Moverman's superb evocation of the daily process of informing forces families of the death or injury of their loved one is a heartfelt and truly honest movie (I have already seen it) which comes as a great shock to see it's been nearly 2 years since it's US release.

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Bad Teacher

Cameron Diaz, who memorable burst onto screens in The Mask, has spent much of the last ten years avoiding comedy, but it's a shame as she's a delightful comedic presence. Here she is using a flimsy plot to snare Justin Timberlake. Jason Segal and David Paymer also co-star.

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Beaver

Controversy overload meets film as therapy with Mel Gibson playing a depressed executive who turns his life around with the aid of a Castoran hand-puppet with the voice of an East-end barrel boy. Jodie Foster directs her old pal, in an attempt to rehabilitate his tarnished image. Jennifer Lawrence also gets a co-starring role.

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Potiche

Catherine Deneuve and Gerard Depardieu together in one film! From Francois Ozon! About the demise of union bragaining and the rise of feminism in 1970's France. Actually this comedy, literally translated as "Trophy Wife", looks like a gem and should be well worth looking out for.

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Green Lantern

The proliferation of CGI, all the desperate seeming TV spots and fantastic cast (Ryan Reynolds, Peter Sarsgaard, Blake Lively, Angela Bassett, Tim Robbins, Mark Strong and Michael Clarke Duncan and Geoffrey Rush in voice roles) can't hide the faint whiff of Turkey coming from this Comic Book adaptation.

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Stake Land

The trailer makes this low-budget horror flick seem like The Road with Zombies, but decent reviews and clever plotting could lead to this breaking out. Although I've heard it suffers from a lack of point to the story.

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Always Khabi Khabi

The first of the three Bollywood releases seems to be the most obvious to categorise, it's High School Musical in Mumbai (possibly), with the usual collection of teenagers stressing about their love lives and studies whilst breaking into song.

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Avan Ivan

Confusing Tamil release which describes itself as a comedy but the trailer is full of high-octane action beats. Let's face it I'll never "get" Bollywood.

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Bheja Fry 2

Sequel to the 2007 comedy hit starring Vinay Pathak as a naive holiday-maker who brings chaos in his wake on a cruise holiday in the sun. I actually giggled at some of the slapstick on display in the trailer.

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Round Up

European cinema has huge trouble moving away from the Holocaust. Of course it's a horrendous chapter in history but haven't enough interpretations been made? This time Jean Reno is a doctor questionning humanity as the Jews of Paris are arrested.

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Got to Run

I should be behind this independent British movie which snuck out in limited release earlier in the week as the combination of local independent fare and a central character addicted to jogging. However the thought of watching a girl run around the coast of the UK in a ill-fitting pair of shorts to escape from her abusive relationship just pushes me away.

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Putty Hill

Not quite mumblecore, but clearly influenced by the hand-held, off-the-cuff aesthetic, this low-key American release looks at the minutia of life in a small-town community recovering from the sudden death of a well-known young man.

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Swinging with the Finkels

Tired looking British sex comedy about a couple (Martin Freeman - proving The Hobbit couldn't come at a better time - and Mandy Moore) who decide to spice up their dreary personal life by joining the swinging circuit. Probably not as many laughs as it should have.

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Friday, 3 June 2011

One Hairy Biker (Out this week - 03/06/11)

So here we are entering the merry month of June and already we have an utterly lackluster week of releases - excluding the fantastic looking Senna but as we all know I try to avoid chatting about docs here. Of course there's a certain (x) movie that will clear up at the box office however in spite of all the lovely CGI and attractive cast there's something that just doesn't work for me in the merchandising. Here at RLAG I'm going to continue my gallic themed preferences and support our third French film of the week this year with Mammuth.



Mammuth

It's the second film of the week this year for directors Gustave de Kervern and Benoît Delépine after their delightful black comedy Louise-Michel took the prize in April and whilst this Gerard Depardieu pension comedy may not have the bite of their previous film there is a lot of fun to be had in the trailer. Also starring Yolande Moreau and Isabelle Adjani.

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Last Night

Keira Knightley and Sam Worthington are two corners of a love rectangle as a pair of marrieds who are both visited by temptation on the same night. All the characters are ridiculously attractive and absurdly wealthy so you're unlikely to feel much sympathy for their situation but some interesting points about the meaning of fidelity may lurk under the surface.

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X-Men: First Class

Or X-Men : Babies as one wag put it. The writing/directing team behind Kick-Ass reboot the flagging X-franchise by reviewing the origins of the split between Charles Xavier (James McAvoy) and Erik Lensherr (Michael Fassbender) against the backdrop of the civil rights movement and the Cuban missile crisis. Look our for Jennifer Lawrence in blue body paint.

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How to get rid of Cellulite

Polish sex comedy (not that you'd guess from the trailer) about a trio of bff's who will go to any length to maintain the perfect figure. Not a sniff of cellulite in the main cast, mind. Gets an extra point for the great title.

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Ready

Bollywood action-comedy that seems to be pinning the marketing on the cinematic return of Salman Khan. I'm sure he's a very good actor, but the year and a half since Veer was released does not seem like Terence Malick levels of waiting.

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Prom

I'm clearly not the target audience for Disney's multicharacter look at the build-up to the high school prom, taking in the many variations on the school experience and the hopes and dreams associated with the event. In fact the direct to camera interviews in the trailer hint at something interesting - but ultimately the whole thing looks just a little flat.

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Screwed

Nasty looking British prison drama with plenty of violence and implied threat based on the biography of Iraq veteran turned screw Ronnie Thompson. Noel Clarke has been pushing this as his first real adult role, but as much as he does good interview I'm not sure I care to see the movie.

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