Saturday, 28 February 2009

Film News (28/02/09)

As February draws to a close you will note that I've added another section to the weekly film news - Box Office Review. This will turn up on the last Saturday of every month. We'll highlight any new release dates and reviwe who stormed the box office charts in the previous month. But all that is after:




Richard Pryor: Is it something I said

It looks like the Richard Pryor story is coming to the big screen. This will be both easy to do but hard to make it really good. Pryor has a fascinating life story including drugs, sex, early death from MS, and plenty of drugs. The problem is the film will only work if we really get an idea of how good Pryor was at stand-up. Without that people will wonder how much of an impact he really had (see the recent Notorious which botched the rap scene). It looks like Eddie Murphy is interested in the role - which is great news. As a stand-up himself Eddie can understand how Pryor paved the way for other comedians.


Clue

Normally I have a fairly live and let live attitude to remakes, however this week Varierty reports there are moves to make another film from Clue, the boardgame. Now I know the original didn't blow the box office away but it has become a cult item - ahh those parties when I was a student when we replayed the whole thing... Hopefully the new film will play it as a comedy as well. The thought of a serious whodunnit with Professor Plum and Miss Scarlett is too much to comprehend. It's like flames, flames at the side of my face. Heaving, heaving breaths...

The Green Hornet

The big screen adaptation of the more tongue in check superhero The Green Hornet (to be played by Seth Rogen) has found a new director in Michel Gondry. I'm thinking Gondry bizarre visuals will make this a must see. Stephen Chow is still signed on to play sidekick Kato.

Untitled Woody Allen Picture

Woody Allen's London set, Spanish financed project for 2010 is expanding it's cast with Naomi Watts, Frieda Pinto and Antonio Banderas all signing on the dotted line. I don't know whether this is a good thing - sometimes the more starry the cast of an Allen film th more banal it gets.

Howard Zieff

Little reported this week, but Howard Zieff, Director and Producer, passed away on Sunday. His output as a director was spotty but highlights like My Girl, House Calls and Private Benjamin won't be easily forgotten.

Box Office News

(With thanks to Pearl and Dean and Box Office Mojo)

Release Date Changes

Life Before Her Eyes: I thought this girl survives high school shooting, has problems with guilt film starring Uma Thurman would never see the inside of a cinema here in the UK. I was wrong - look out for it on 27 March.

Cheri: Everyone waiting for Michelle Pfeiffer as a coutesan falling for a younger man will have to wait a little longer. It puched it's release date back until 08 May, possibly afraid of competition with Life before her eyes?

Sugar: The story of a basball player from the Domincan Republic as he stuggles with integrating in America has fallen back a month to 05 June.

Shutter Island: Just a minor change here as the latest Scorcese/DiCaprio collaboration settles on 09 October.

Christmas Carol: The most filmed Dickens novel, this time starring Jim Carrey and Zemeckis' finely tuned computer animation. Latest date is 06 November.

Untitled Nancy Meyers Picture: I doubt Meryl Streep will be aiming to get an Oscar from this love triangle with Alec Baldwin and Steve Martin, but you never know. Look out for it on 01 January 2010.

Prince of Persia: The Sands of Time: We're one day closer to seeing Jake Gyllenhaal prance around for a whole film with his body out. Mmmm. Can't wait until 28 May 2010.

The Last Airbender: Write this date in your diary and then plan to avoid the cinema that week, yes it's M. Night Shyamalan's latest magnum opus. At least if we don't see it we won't be thinking about how he thrown away all his credibility. Coming on 06 August 2010.

Box Office Report

As the dust settles from January there's a very clear winner in Slumdog Millionaire. It hasn't just won an Oscar for best picture but it's also taken £23m since opning. Putting that into perspective it's a similar haul to Iron Man or High School Musical 3, and it's still going strong. The rest of the top five is pretty much as you'd expect from January - a couple of so so comedies, a horror and a Tom Cruise film.

1. Slumdog Millionaire
2. Role Models
3. Bride Wars
4. My Bloody Valentine
5. Valkyrie




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Running

I've just completed another five miler, only I was 1 minute faster than last week. Yes indeed, 5 miles in 46 minutes. Still 6.5 mph (or 10.4 kmph), but it's going in the right direction.

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Charles Durning


Happy Birthday to

Charles Durning

86 today


The 80s were a strange decade with starng things going on, among them was Charles Durning picking up successive supporting actor oscar nominations. Not for his good work (Tootsie, Dog Day Afternoon) but for The Best Little Whorehouse in Texas and To Be or Not to Be. Yes, the academy really have been getting it wrong for a long time.

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Friday, 27 February 2009

Che: Part 2



2008. Dir: Steven Soderbergh. Starring Benicio Del Toro, Franka Potenta, Joaquim de Almeida, Demián Bichir and Lou Diamond Phillips . ●●●●●

The second part of Steven Soderbergh's Che Geuvera biopic takes up his story several years later at the point of his resignation from the Cuban Government, indeed we open by watching Fidel Castro (Birchir) reading the letter of resigntion in full to the people of Cuba. For a staid and uninteresting letter the impact is huge, which goes one step to guaging the idolatory that surrouded Che at the time.

The film then follows Guevera as he leads a group of Cuban and Bolivian revolutionaries around the jungles of Bolivia in an attempt to recapture his former glories.

The film is almost unremittingly bleak - for anyone who knows the fate of Che we can see him getting closer and closer to his destiny as the band of brothers are hittled down in defeat after defeat.

As with the first part we understand few of Guevera's motivations or explanations regarding his actions, although it seems the weight of Cuba (both the campaign and the peace that followed) lies heavily on him. He is no longer opposed to recruiting young men with little or no education and on the flip side he is more tolerant of derserting. Benicio continues to live in the role rather than act it, and the supporting cast are solid throughout. I'd especially like to commend the peasant who flips from supporting Che's band to selling them out is believeable and tragic. If anyone can tell me who that was I'll be very grateful.

Some people have complained about the bizarre Matt Damon cameo, although I'm letting it pass as his German was very impressive, and it didn't really take away from the ordinariness of the scene.

The technical set-up is almost identical to the original, hand held cameras, mid range shots etc. Even the scenes at the Presidential Palace and US embassy have an urgency to the filming.

I would perhaps have liked more of outsider view, the reasons why he succeeded in Cuba but failed in Bolivia are only hinted at, and it can't just be because of American Military training. But maybe Soderbergh was deliberately vague on this point, after all Guevera did not know the difference when he started his Bolivian campaign so why should we.

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Out this week (27/02/09)




It's a quiet week this week with only 5 releases, and none of them really jumping out. If you get a chance to see it near you I'd say French school film The Class is really the one to watch.

The Class

This years French entry into the Foreign Language Oscar race, won the Palme D'Or at last years Cannes, yet somehow managed not to take away the shiny gold statue last week. It's a shame as this semi-autobiographical film set in a French Classroom is getting full marks all round.

Runs like a Gay Excitometer: ●●●●○○○○○○


Franklyn

With alternative realities and interlocking stories with a frankly stunning cast (Eva Green, Ryna Phillippe and Sam Riley) expect this to be a big hit on DVD although the cinema release may be a slower burn.

Runs like a Gay Excitometer: ●●●●○○○○○○

The International

All the Guggenheim shootouts in the world can stop this mediocre Bourne rip off from Tom Twyker slipping into obscurity. Also having worked for a bank, their far too broing to be international arms dealers.

Runs like a Gay Excitometer: ●●●○○○○○○○

New in Town

After a meh opening Stateside ($15m so far) Renee Zellweger's fish out of water comedy is rying to get some international market. I'm guessing it won't work.

Runs like a Gay Excitometer: ●●●○○○○○○○

The Unborn

Horror about a twin that was never born, the trailer looks derivative but a classy supporting cast, including Gary Oldman, may help.

Runs like a Gay Excitometer: ●●●●○○○○○○

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Elizabeth Taylor


Happy Birthday to

Elizabeth Taylor

77 today


She needs no introduction from me, one of the most beautifual and talented women to grace the screen.

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Thursday, 26 February 2009

Running

Another quickie this morning - I know I should be reviewing Che Part 2 and hopefully I'll get that done later.

3.5 km in 20 minutes, that's a surprising 10.4 kmph, which is nearly a return to form.

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Wednesday, 25 February 2009

Tom Courtenay


Happy Birthday to

Tom Courtenay

72 today


Another day, another celebrated Brit reaching another birthday. This time it's Tom Courtenay who burst into our screens in 1962 with his searing portrayal in The loneliness of the Long Distance Runner.

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Tuesday, 24 February 2009

Trailers - Watchmen

I've decided to go all populist and start showing trailers to films that I think will top the box office as well as those I am persoanlly interested in seeing. Although everytime I see this, the first Watchmen trailer, I get just a little bit more excited about it - to such an extent I think I may just force myself to go and see it.

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Running

Another quick one this morning - 4.2 km in 25 minutes which equates to 10.1 kmph.

I don't know why I'm slower on weekdays than evenings. Anyone got any ideas?

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Monday, 23 February 2009

Peter Fonda


Happy Birthday to

Peter Fonda

69 today


Peter's part of one of the most fascinating Hollywood royalty familys, between his father Hanry, sister Jane and daughter Bridget is a great streak, but as good as they all are none of them have changed the way cinema was goinf like Peter did with Easy Rider.

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Sunday, 22 February 2009

Personal News (21/02/08)

It suddenly occurred to me at todays rehearsal that The Bus opens in 3 weeks time.

ONLY 3 WEEKS TIME!

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Running

Actually managed a decent run this morning. 5 miles in 47 minutes. That's 6.5 mph or 10.3 kmph which is far better than I've been doing and make me feel rather good about myself.

That's nice isn't it?

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Saturday, 21 February 2009

Film News (21/02/09)

Such a quiet week for film news - only three stories worth the mention.



Life of Pi

After bouncing around a couple of big name directors, Yann Martel's philosophical novel for all ages has settled on Ang Lee. And the one thing we know about Lee is he can handle every genre he's tried. Whilst a film set on a lifeboat with just a boy and a tiger may be a challenge it'll certainly be interesting to see what comes out of it.



How Do You Know?

James L. Brooks only surfaces every 5-10 years with a new adult (read smart and satirical not boobs and farts) comedy. His next one comes out later this year with Reese Witherspoon, and now Owen Wilson and Paul Rudd.

Salt

Formerly Edwin A. Salt, the Anjelina Jolie action vehicle has gained a leading man in the shape of Liev Schreiber. He's on a bit or a casting role right now.

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Running

Just got back, and I'm still all hot and sweaty - but there's aqueue for the basthroom so I guess I'll have to stay this way for a while. Yum yum.

5.2 km in 31 minutes, so back up to 10 kmph, but that's not really good enough, is it?

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Out this week (20/02/2009)




A draw at the top, but I'll have to go for Gran Torino. I won't be able to see it for a week, but I've already had Che: Part 1 as the recommendation earlier this year and it's only fair to give someone else a go.

Cadillac Records

Strange that a subject like the history of a record label has two films in a very short time period. In this version of the "Chess" story adrien Brody plays Leanard Chess and Beyonce, Jeffrey Wright and Mos Def all pop up. I'm still waiting on Who do You Love?

Runs like a Gay Excitometer: ●●●●○○○○○○



Che: Part 2

In the second part of Soderbergh's epic retelling of the life of Che Guevera we follow Del Toro through the jungles of Bolivia to his ultimate defeat. Bleak but worthwhile film.

Runs like a Gay Excitometer: ●●●●●●●●○○

Confessions of a Shopaholic

Is this the right time to release a film about a compulsive spender? Who cares, the perky Isla Fisher will guarantee this will go straight to the top of the box office.

Runs like a Gay Excitometer: ●●●●●○○○○○

Dehli 6

American-born Indian, Roshan (Abhishek Bachchan - looking a little like Alfred Molina in some shots) brings his ailing grandmother back to India. Om Puri turns up again.

Runs like a Gay Excitometer: ●●●○○○○○○○

Gran Torino

Bizarre release pattern aside (opening in Manchester, Bristol and Leeds this week - next week everywhere else, huh?) Clint's swansong to acting will be incredibly watchable even if it's regurgitated rubbish.

Runs like a Gay Excitometer: ●●●●●●●●○○

Jag Jeondeyan De Mele

The film reflects a journey of a young man Abahijot (Harbhajan Mann) which holds so much excitement, dreams, sadness, happiness, hate and love.

Runs like a Gay Excitometer: ●●○○○○○○

Push

If Chris Evans would only release a film where he took a shower and then spent 2 hours drip drying I'd be super excited about seeing it. In the meantime there's only this sort of superhero lite stuff to see. Or not.

Runs like a Gay Excitometer: ●●●●○○○○○○

20th Century Boys

Live action version of popular Manga series following a group of meet who meet at a school reunion, talk about their imaginery fights and then it gets weird. For diehard fans only.

Runs like a Gay Excitometer: ●●●○○○○○○○

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Ellen Page


Happy Birthday to

Ellen Page

22 today


Ellen is looking slightly miffed with me for 3 reasons:

  • I'm running late on standard blogs - yes Miss Page I am. Weekly run down of films coming next as is film news. Thursday talk point cancelled for the week but I may use the subject next week.
  • I haven't celebrated the birthday of a girl in 11 days. Odd, I know, won't happen again.
  • I'm not interested in any of her upcoming films. And to that all I have to tell her she will need to get involved in films that sound vaguely watchable.

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Sidney Poitier


Happy Birthday to

Sidney Poitier

82 today


Technically it was his birthday yesterday (just missed midnight - long day won't bore you) but I wanted to give him the hearty congratulations he deserves.

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Thursday, 19 February 2009

Benicio Del Toro


Happy Birthday to

Benicio Del Toro

42 today


Another attractive in an unconventional way actor - it's the way I like them - Benicio is on a bit of a role at the moment. I'm eagerly anticipating the second part of Che (hopefully opening this weekend) and he also has The Wolfman in November to propel him to the top of the Box Office. There are also rumours that he's to play one of the Jesuits in Scorcese's Silence. Now that a pairing the world needs to see.

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Running

Another (deliberately) short run today.

3.3 km in 20 minutes or 9.7 kmph which is depressingly slow. What's wrong with me?

Next run on Saturday...

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Wednesday, 18 February 2009

Richard III



1955. Dir: Laurence Olivier. Starring: Laurence Olivier, Ralph Richardson, John Gielgud, Claire Bloom and Alec Clunes. ●●○○○

In the 1940's Laurence Oliver directed and starred in two of the most successful Shakespearean adapatations of all time; Henry V was a rousing call to arms against the tyrannies of Nazi Germany, Hamlet replayed the Dane's tragedy through the prism of Film Noir. Olivier was suitably feted for his work, an oscar winning performance in Hamlet and nominated for the direction. The problem was Olivier quite liked this praise and 6 years later with his film career going nowhere he once again turned to the bard for inspiration, essentially turning the camera on his remarkable stage performance of Richard III.

No-one seems to have reminded Olivier that film is a different medium to the stage, so his performance, whilst technically good, plays to the back row. Furthermore he invests no time in allowing the audience to make up their mind about his motices, simply playing Richard as bad to the bone.

Others actors fare even less well - Cedric Hardwicke hams his way through the role of King Edward lifting him arm in the direction he's walking like a Russian Opera. Claire Bloom's chances of displaying a strong, politic Queen Anne are destroyed as her part is cut to the bone. Only the magnificent John Gielgud, Olivier's most notable Shakespearean rival, seems to understand film. He takes the thankless role of Clarence and play it with such subtlety and gentleness you'd think he was sticking two fingers up at Olivier for casting him.


For those of you who don't know Richard III plots the life of the dastardly last King of the Plantagenents as he schemes and murders his way from number 4 in line to the throne to King and then his downfall at the Battle of Bosworth. As history it's a steaming pile of Tudor propaganda. It's unlikely that Richard was deformed and his empire building techniques were childsplay when compared to some of his forebears.

We won't chastise Shakespeare for his history lesson though, after all it's not his plots that are remembered but his speeches and characters. For an actor it's a joy to play Richard, humpback and all. If there isn't the moral complexity of the more traditional tragic villains (such as MacBeth or Iago) this sort of pantomimic bastard has it's compensations and there are some beautiful passages such as "Look how my ring encompasseth thy finger. Even so thy breast encloseth my poor heart. Wear both of them, for both of them are thine."

It's easy to understand why Olivier chose this play to adapt, and even if he was only aiming for a record of his extraordinary performance this doesn't excuse the poor example of film-making that surrounds it.

He half-heartedly uses shadows in a similar way they were used in Hamlet, but unlike Hamlet where it worked because everyone plots against each other and lurks from scene to scene here it just feels forced with no connection to narrative. I have covered the issue of performances all over the place, but when you see a stage turn on film surely the most self-obsessed actor-director would call foul.

The sets are obviously fake, in a distracting way, and the decision to shoot the battle in Spain is frankly bizarre:

←La Mancha



Bosworth →


They don't even vaguely look alike!

I can't even, 3 days down the line, think of anything good to say baout the costumes or the score. It's terrible that a small thing like a grand-standing performance has wiped everything else from my mind.

I can only hope if you're passing the video store and see this on sale you pince yourself and buy Hamlet instead.

By the way this is the first time I've managed to link reviews by the casts - click on Ralph Richardson to read the review on Long Day's Journey into Night, or John Gielgud for Gandhi. Eventually I expect this will happen a lot.

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John Travolta


Happy Birthday to

John Travolta

55 today


One of the reasons that John Travolta did such a great job as Edna Turnblad in Hairspray the other year, and why it was such inspired casting is because you can never see where the make up ends on John. Take a look at this photo and tell me if he actually looks real at all. Strange, isn't it?

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Tuesday, 17 February 2009

Trailer - Marley & Me

I've said it before and I'll say it again - I'm a mug for puppy movies (unless they're called Hotel for Dogs) and Owen Wilson is still exceptionally cute.

So I'll be joining the 19.6 million people who've watched it in the states when it opens over here.

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Hal Holbrook


Happy Birthday to

Hal Holbrook

84 today


The dictionary definition of curmudgeony. I've just noticed that Hal has a minor role in the unreleased Mickey Rourke is a hired killer flick Killshot. Why have we not seen this movie?

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Running

Yes, I know I don't do anywhere near enough of this.

Really short run this morning (on purpose) 3.5 km in 21 minutes. That's barely 10 kmph.

This is not good as I sort of have a running date coming and I want to at last keep up with him - how can sex possibly be an option if I run like an old woman?

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Sunday, 15 February 2009

Personal News (15/02/09)

Good news about Lifelong Yearning. We have additional weekend at Oldbury Rep (19 and 20 June) and a week in London. Yes, you haerd that right a week long run at Baron's Court 22-28 June 2009. Make a note in your diary and then rush up to see us.

We also have a poster:


No substantial news on any other projects - once I know more I'll let you know.

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Kevin McCarthy


Happy Birthday to

Kevin McCarthy

95 today


It's always a pleasure to say Happy Birthday to someone in their 80's or 90's, it's a real link to Hollywood's glorious past. And without Kevin's help we'd all be pod people (or commies, or paranoics) by now.

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Saturday, 14 February 2009

Film News (14/02/09)

February must be a good time for butering up studio execs, or at least making the press teams work overtime as there's been another 7 stories worth mentioning this week.



The Matarese Circle

Robert Ludlum was a reasonably successful writer during his lifetime, but in the a5 years since his death his books have really taken off cinematically. The Bourne trilogy is as obvious example. This week two of his books have been the subject of news. The Parsifal Mosiac, which has been optioned by Universal, and The Matarese Circle which is going into production later this year. The film will star the incredible pairing of Denzel Washington and Tom Crise as enemy spies who have to join forces, and if that wasn't enough to get me going David Cronenberg is set to direct. Now I don't know much about action thriller franchises, but starting with the director of Scanners and Crash is certainly going to be fascinating.



Gemini Man

The script of Gemini Man has been drifting around Hollywood for over ten years and it looks like it's finally going to start production soon under the guidance of L.A. Confidential director Curtis Hanson. I like Curtis, his direction is usually assured, but he's an unusual choice for this clone assassin starts trailing his "father". His only action film to date, The River Wild, is hardly a great barometer of his suitability.

Inception

Christopher Nolan has annouced his next pic is the self-penned contemporary adult sci-fi Inception. Nolan will have a lot to prove after The Dark Knights massive success, so let's hope this isn't a Fountain.


Leap Year

I feel a bit bad about my anti-Amy tirade in the Doubt review. I actually love Miss Adams to bits - her performance in Enchanted was divine - so any chance I get to see her in a romantic comedy I will jump at. In Leap Year she will enlist the help of newly cast Matthew Goode to cross Ireland in order to propose to her beau. Somehow I think they'll fall in love on the way. Ahhh.

Nottingham

Apparenly Cate Blanchett has signed up to play Maid Marian in Scott's revisionist tale of men in green. No, I can't see that casting work either.

Untitled James Mangold picture

Another month another rumour about James Mangold. His next film is now based on a true stroy where a pair lawyers from New Orleans faced off against a Multinational Petrolium Giant in order to get compensation for families who lost their loved ones overseas. As with all James Mangold stories including my recent story of Juliet, I will wait until the camera starts rolling before I believe it.

Untitled Woody Allen Picture

I already slipped in the news on Josh Brolin's birthday buit just to reiterate Brolin and Anthony Hopkins have signed up to star in Woody's next UK based film which will shot later this year. Could be brilliant, could be pants - you never really know with Woody. (By the way picture is proof you can never have too much Brolin)

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Friday, 13 February 2009

Out the Week (13/02/09)



After last weeks epic battle to find the winner this week is a case of finding the least bad film. Interestingly Bolt may have come out last week (it was certainly showing at my local fleapit) even though the release date is today. If it had come out last week it wouldn't have stood a chance to be the recommendation. As it is the biggest competition comes from Pink Panther 2, so I guess Bolt wins.

Ayan

Bollywood movie shot across Africa, with a hero who finds love when all he wants is to go to university. Sounds like a good old fashioned coming of age action adventure. I wish I could get really excitied about Bollywwod - someone please help me.

Runs like a Gay Excitometer: ●●○○○○○○○○




Billu

Formerly Billu Barber, until it had the pants sued off it by the Indian hairdressing union (no, really) this tale of a struggling smalltown hairdresser (Irfan Khan, Slumdog Millionaire, The Namesake) and how is life is turned upside down by a film being shot in the village at least has some recognisable faces to recommend it in Khan and Om Puri.

Runs like a Gay Excitometer: ●●●○○○○○○○

Bolt

Inhouse 3D computer animated film from Disney. Said to be great fun for the kids, if not so much for the adults. The 3D effect pushes new boundaries.

Runs like a Gay Excitometer: ●●●●○○○○○○

Friday the 13th

Remake of the classic Carpenter chiller. Lots of teens getting chopped up by insane Jason Voorhees. Getting fair reviews for this type of picture.

Runs like a Gay Excitometer: ●●●○○○○○○○

Hotel for Dogs

Two kids set up a hotel for dogs. That's it. All they want is love. Don Cheadle slums it as a social worker. Whya re you still reading this?

Runs like a Gay Excitometer: ●●●○○○○○○○

King of the Hill

Superior Spanish horror/thriller about 2 ne'erdowells (a love rat and a thief) who meet by chance in a lonely wood when a hunter starts shooting at them. The perspective shifts between the leads and the hunters, where we only see first person shots.

Runs like a Gay Excitometer: ●●●○○○○○○○

Notorious

Part sanitised version of the life of the Notorious BIG. Yes he was a womaniser, no he had nothing to do with gang violence. Does nothing to enhance his musical reputation or to let the viewer understand how he influenced rap artists.

Runs like a Gay Excitometer: ●●●○○○○○○○

Pink Panther 2

Steve Martin returns as the bumbling Inspector Clouseau. Feels like 20 years since Martin made a good film, although I'm looking forward to seeing him and Alec Baldwin scrap over Meryl Streep later this year. Films gets extra points for gathering Jeremy Irons, Andy Garcia and Lily Tomlin in the supporting cast.

Runs like a Gay Excitometer: ●●●●○○○○○○

Three Monkeys

Nominated for this years best Foreign Language Oscar this Turkish film looks at how lack of communication can affect relationships during times of great hardship.

Runs like a Gay Excitometer: ●●●○○○○○○○

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George Segal


Happy Birthday to

George Segal

75 today


Gearge may have made a name for himslef on television, but his big break was as the hapless Nick in 1966's Who's Afraid of Virginia Woolfe. Those of you who now me know that Virginia Woolfe is on of my top movies, so I couldn't possibly miss todays celebration.

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Thursday, 12 February 2009

Thursday Talking Point - F. Scott Fitzgerald

This week's top recommendation was The Curious Case of Benjamin Button, although unfortunately I was unable to see it myself due to scheduling difficulties. However, in keeping with the scope of the Thursday Talking Point I will discuss a theme associated with Benjamin Button, so this week it's Hollywoods relationship with F. Scott Fitzgerald.


Francis Scott Fitzgerald was born to an Irish Catholic family on 24 September 1896. He seems to have been forever destined to become a writer, publishing detective stories in his school newspaper and whilst at Princeton. Although he did not complete his studies, leaving to enlist for the First World War.


He never saw action, but he did then meet Zelda Sayre, the woman who would shape his wrting and his life irrevocably before she developed schizophrenia.

His first novel, published before he was married in 1920, was This Side of Paradise and concerned the loves of a ambitious writer. It was followed by The Beautiful and the Damned in 1922.

Three years later Fitzgerald's masterpiece The Great Gatsby hit the shelves. The novel concerns itself with the failure of the American dream post World War I, and how the endless pursuit of monetary gain can become just taht with people never satisfied with what they have.

Fitzgerald wrote only one more novel whilst he lived and The Last Tycoon, edited from his notes was published in 1941 the year after he died. Although he wrote numerous short stories either for magazines (easy money for someone like Fitzgerald) or as part of collections.

The success of Fitzgerald's first noel was so huge that Hollywood wasted no time mining his work. The first film based on Fitzgeralds writing was The Chorus Girl's Romance in 1920, based on his short story "Head and Shoulders". Needless to say other than for curiousity value, and the thought that it is probably a "lost silent" there is little to recommend this however it sparked a trend.

In the next 4 years 6 of his novels and short stories were adapted, and The Great Gatbsy, starring Warner Baxter as Gatsby and William Powell as Wilson, went into production soon after the book was published.

From the 1930's Fitzgerald began to work inside the Hollywood on short stories. Essentially a hack, although he worked on some well remembered films like Marie Antoinette, The Women and even Gone with the Wind, although the scenes he wrote were not later filmed. His time in Hollywood may have been degrading but it certainly gave him plenty to write about, be it the "Pat Hobby Stories", about a Hollywood hack much like Fitzgerald, or his final novel, based on the Irving Thalberg.

Since his death Fitzgerald's works have gone inand out of fashion, although it is now widely regarded that he is one of the greatest American novelists of the 20th Century. Gatsby itslef has seen 4 incarnations with Alan Ladd, Robert Redford and Toby Stephens all taking on the iconic role. There is even another version currently in the pre-production stage from director Baz Luhrmann, and if anyone can pull off the fascination yet disgust we will feel towards the opulence on show I think Luhrmann will be able to do it.

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Josh Brolin


Happy Birthday to

Josh Brolin

41 today


Coming of a couple of fantastic years the great hunk of manliness, Josh, is celebrating his 41st. Well done him, especially with the news released yesterday that he's been cast in Woody Allen's next London pic alongside Anthony Hopkins. (It's not actually his first filme with Woody, see Melinda and Melinda, but it's still good news for Josh)

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Wednesday, 11 February 2009

Doubt



2008. Dir: John Patrick Shanley. Starring: Meryl Streep, Philip Seymour Hoffman, Amy Adams, Viola Davis and Joseph Foster. ●●●○○

In the end this weekend I chose to see the peadophile priest film, mainly because it was on at the best time to fit with my rehearsal schedule. I was looking forward to it, mind. The combination of highly buzzed performances from the main cast and an adaptation of a Tony award winning Broadway hit.



In case you aren't aware of the basic plot it revolves around a titanic battle between the headmistress of a Roman Catholic bronx school (Sister Aloysius, played by Meryl Streep) and Father Flynn (Hoffman) a modernising Priest, ostensibly over an alleged incident of molestation against a black pupil, although there are many reasons why the pair don't really interact. Adams plays a novice caught between the titans and Viola Davis plays the boys mother, who just wants him to survive in the school until the end of the academic year.

It is important that the incident is only alleged, as one of the key selling ponts of the one-act play was that the audience went home questioning and doubting the guilt or innocence of Father Flynn. As I walked out of the cinema I did have my doubts, my I suspect that I was more one way than the other. This is largely due to the opening out of the film to include the boy (Foster) as well as a supporting cast of rebellious school children and frail nuns.

It's not uncommon for a film adaptation of a play to introduce new characters, and I can certainly see why it was done. Unlike, say Closer or Who's Afraid of Virginia Wolfe, Doubt is defined by the relationships between the characters you see and the characters you don't in the play. This can work on the stage but in film the limitations are different. As a result there are a number of quick moments between Donald and Flynn where you spend the time thinking "Is Father Flynn buggering the boys?" It simply cannot be helped.

The last ten minutes between Streep and Hoffman/Adams also seem to push you in one direction.

There were also some elements of the screenplay that felt heavy handed in the adaptation. Storms, lightbulbs blowing, etc. So God is unhappy, we get it, no need to overdo the imagery.

The performances from Streep, Hoffman and Davis are uniformly excellent. I was less enamoured with Adams, her cloying naiveity seemingly a odds with her position. As a consequence I found the last scene where Sister Aloysius opens out to Sister James at odds with the way the characters had been playing around each other up to that point.

Hoffman's monologue like sermons were also very effective, as anyone who has regularly attended Church will tell you the way a Priest addresses the congregation varies significantly. Hoffman was confident and firm, maybe even stand offish, which certainly informed the rest of his performance. I disliked the imagined story in the second sermon - I felt we could have done better by just watching the protagonists as they respond to his words.

Aside from the perfomances there is very little to recommend the film. The cinematography was generally dull, and the decision to do some shots angling the camera was frankly jarring and took me away from the action. There was little to work with on sets and costumes (for nuns and schools, everything tends to look the same) but there was an oddly antiseptic feel, like none of the characters were in rooms they frequented often.

Overall I would love to encourage you to see the film, if only for the performances, but to be honest when I left I was thinking I wish I had seen the play. I hope you see the play too.

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Tuesday, 10 February 2009

Trailer - Che Part 2

After the incredible first part of Che, I'm on the edge of my seat lookiong forward to part 2. Che's destiny takes him from Cuba to Bolivia, to another country struggling to bring democracy to the people. Only here they are ready for him.

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Laura Dern


Happy Birthday to

Laura Dern

42 today


Congratulations, Laura, on your Golden Globe win for Recount the other week, but please make some more films. Maybe with your good friend David Lynch?

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Sunday, 8 February 2009

Personal News (08/02/09)

Another week of no significant updates, just Bus rehearsals and cancelled Bus rehearsals (snow, eh? Who needs it?).

I've been asked by the publicity team to fill out a form that thay'll use to push the play. On it I'm asked for my favourite line. This is turning out to be quite tough. Do I go for "You c**t! Screaming at the top of your voice.", "You almost s**t yourself with fear." or may be my opening "You've said it." or closing "Why it's my little Emmy, my Emmy."

The first 2 may be a little hard to use in family newspapers, and maybe the third is just a little bland. And as for the last one, it seems a little desperate to use that, especially during the awards season.

I've also been asked to audition for a minor role in a film being shot locally. Should get the script in the week, and I'll let you know next week what it's like and how the audition went (it's on Saturday morning).

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Nick Nolte


Happy Birthday to

Nick Nolte

68 today


Big challenge for Mr. Nolte - try finding a picture on the net where his hair looks like it's been combed that week. Nick often turns up in films when you least expect him - which is why I'm looking forwrd to seeing My Own Love Song later this year.

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Saturday, 7 February 2009

Film News (07/02/09)

An unbelievable busy week for film news. So crowded in fact we'll just dive straight into it.



King Lear

You wait years before a decent King Lear adaptation and then two come at once. Last year Anthony Hopkins signed on to play the aging monach who splits his kingdom, under the watchful gaze of Joshua Michael Stern; this week it's Al Pacino railing at the storm and reuniting with his Merchant of Venice director Michael Radford. Now I love King Lear, it's the play that got me into acting, but I doubt both of these will be released - so which will it be? My moneys on Al, but I'd appreciate your thoughts.



Miral

Julian Schnabel is set to begin principle photography on his Israeli-Palestinian epic Miral in April. Starring Hiam Abbas (The Visitor) as a Palestinian to runs a orphanage in Jersulam the film will show how the relationship between the 2 nations has developed over the last 50 years. It's all going to be filmed on location and I persanally cannot wait to see a film that puts this extraordinary conflict into some perpective.

Moneyball

It's extemely difficult to keep tracks of Steven Soderbergh, but with the delays on Cleo it looks like he's bumped Moneyball up to the top of his things to do list. The film concerns the development of a computer algorithm to selct the best baseball team with a limited budget, fantasy baseball if you will, only done by a real team manager. If that doesn't make your inner geek glow I don't know what will.

Silence

Daniel Day-Lewis and Benicio Del Toro as signed on to play Jesuit priests bringing christianity to Japan in Martin Scorcese's next film. This pairing seems like an excellent one, but I think I'm going to need more to stop me from classifying this as The Mission in a kimono.





Start

Brandon Koener's "Now the Hell Will Start" has been optioned by 40 Acres and a Mule. The non-fiction novel relates how an African-American soldier murdered his Lieutenant and then escaped into the Burmese jungle eventually being accepted by the natives.

Valentine's Day

Would anyone like to see 10 strangers in Los Angeles briefly connect their lives over Valentine's Day in a variety of forced coincidences and bizarre cupid led entanglements? No? Just me then.

The Ward

I'm not really a horror fan, but Amber Heard (the titular All the Boys Love Mandy Lane) is preparing to enter the Ward. Cue scary noises and tales of long dead mental patients with grudges. And lots of running around semi-naked, probably.



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Out this Week (06/02/09)



Very close call this week, with 3 big acting type films out this week. Doubt is easily third, but that leaves Woody Allen and David Fincher duking out to see who's tops. But only one of these films is showing where I can see it so watching Brad Pitt age backwards is this weeks recommendation.

The Curious Case of Benjamin Button
Brad Pitt ages backwards in this 3 hour adaptation of an F. Scott Fitzgerald short story. It's managed to pick up 13 Oscar nods, including best picture, surely that's saying something. And did I mention that Brad Pitt ages backwards.

Runs like a Gay Excitometer: ●●●●●●●●●○


Doubt

Filmed version of compelling stage success about a nun who suspects a Priest of abusing a boy but has no proof. Almost unique in this day and age in that it allows the audience to make up their mind as to the guilt of Father Flynn.

Runs like a Gay Excitometer: ●●●●●●●●○○

The Good, The Bad, The Weird

Korean Western, essentially a remake of The Good, The Bad and the Ugly. Sounds like a great idea, and 1930s Manchuria always makes for an interesting backdrop, but I hear the film is uneven.

Runs like a Gay Excitometer: ●●●○○○○○○○

He's Just Not That into You

All the advertising makes a big deal of the fantastic cast of Ken Kwapis romdramcom, but I just not into Jennifer Aniston, Justin Long and Drew Barrymore. (sorry)

Runs like a Gay Excitometer: ●●●○○○○○○○

Naan Kadavul

Tamil film about cannibalism. Written and directed by Bala, includes a Blind Beggar Girl, so that should be interesting.

Runs like a Gay Excitometer: ●●○○○○○○○○

Punisher: War Zone

It's saying something when Tom Jane is too expensive/ busy wahing his hair to return to this franchise. Director Lexi Alexander's last film was the utterly unconving Elijah Wood football hooligan pic. Really the stars have not aligned for this.

Runs like a Gay Excitometer: ●●○○○○○○○○

The Secret of Moonacre

Kiddy fantasy films are still being made, even though they're rarely successful. The UK Film council helped pay for this too. I could literally spit blood.

Runs like a Gay Excitometer: ●●●○○○○○○○

Vicky Cristina Barcelona

This weeks other big oscar film, and the other Scarlett Johannsson release. Woody Allen's Spanish holiday looks like a delightful return to form, and who wouldn't want to be asked by Javier Bardem for a weekedn of art and sex. Closest cinema to me showing this: 163 miles away (Barnet).

Runs like a Gay Excitometer: ●●●●●●●●●○

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Friday, 6 February 2009

Rip Torn


Happy Birthday to

Rip Torn

78 today


Rip generally does one good movie for every five movies he's in, and with 7 projects on the go there always the chance that one of them may be watchable. Unless 30 Rock is filling his quota.

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Thursday, 5 February 2009

Thursday Talking Point - Suburbia

I thought I'd start a new regular piece. A weekly talking point where I take an aspect of the top film for the previous week, and then basically rant about it for a few hundred words. Last weeks top film was, of course, Revolutionary Road, so this week I'm going to discuss Hollywoods changing attitude to Suburbia.

The word Surburbia, from the latin sub (under) urbs (city), refers to either the residential district located on the outskirts of a city or to the cultural class or subculture that relates to it. Obviously Hollywood's relationship to Suburbia relates mostly to the later half of that definition.

Until the 1940s Hollywood was mainly concerned with the domestic situations of the extremes of society - we'd see the plantations and mansions of the very rich and the tenements and houseboats of the very poor but we rarely venture into the homes of the middle classes. All this changed after the Second World War, when housing boomed and the now synonymous pattern of low density, identical, single-family homes with clearly distinguished areas for residential and commercials developments.

Surburbia was then seen as a place where you could be happy. In It's a Wonderful Life the building and Loans company is focused on getting the investors out of the slums and into purpose built properties; Mildred Pierce realises, only too late, that she was at her most happiest when surrounded by her kids in their quiet detached home.

In the 1950's the cracks began to show. Douglas Sirk illiuminated the high passions and desires hidden beneath layers of repression and societal mores. Meanwhile Nicolas Ray showed us how stultifying the environment was in films like Rebel Without a Cause. In these, and in other hits like Peyton Place, America was slowly dawning on the idea that sububia did not create the idyll that it was planned to do - that instead the crimes and pressures that faced the poorest communities before were being replicated, albeit with gardens.

Over the sixties and seventies surburbia was again ignored by Hollywood, and the rise of social-realism in the UK meant the working classes once again were the subject of choice. Television, though, did not hide from the issue. In America the networks showed a never-ending parade of chirpy families in their idenkit houses. Whether the Brady Bunch or Mary Tyler Moore were living in them hardly mattered - they extolled the virtues of living in the suburbs - but then the programmes were targeted to the surburban audience so this is hardly a surprise.

In the UK suburbia became a rich target for satire. Reginald Perrin in particular showed how the title character was crushed by thr normality of his existence.

It took until the mid 80's before the image of quiet suburbs, family friendly suburbs was wiped away. The 'Burbs showcased how the peaceful environment can turn people crazy with comic possibilities (and let's no forget Little Shop of Horrors mocking the ambitions of moving to the suburbs), but it was through the twisted prism of David Lynch's Blue Velvet that we focused on the seedy underbelly of middle class life.

Since then successive films like American Beauty, Far From Heaven and Revolutionary Road have undermimed the original ideas of those pioneering town planners. It has become almost impossible to imagine a well adjusted family behind the picket fence, instead we convince ourselves of the unspoken rage and loveless marriages, the rebelling teenagers and furtive affairs.

It is difficult to pinpoint what caused Hollywood's change of heart, but I would imagine it is mainly as a result of th sixtis counter-culture and how that laissez-faire, right-on, no repression ideal has permenated society as well as the reclaimation of city centres for the wealthy and trendies. As the poorest move out of the centres they are forced to populate the suburbs, and going full circle back to the 30's Hollywood (essentially a group of rich producers, albeit ex-hippies) is scared of the lower middle classes and their domestic lives and almost longs for a return to the hypocrisy of the suburban 50s.

What do you think? Feel free to debunk my ideas, predict a change of heart about suburbia or pose an alternative theory to why suburbia is so bleak in the comments.

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Laura Linney


Happy Birthday to

Laura Linney

45 today


Gorgeous Laura is an unbelievable 45, and whilst I can believe she sprung fully grown from the head of the Gods, I can't believe she's aging at all. Please note how she giggles when lying in the road in the picture. Laura has a couple of upcoming projects which may be worth seeing, however it's more interesting to note that her last 2 films registered on IMDB have yet to get a UK release. Surely The City of her Final Destination and The Other Man must be worth seeing for Ms Linney alone. The frightening thought is that this may just be the start of a trend - will she ever get another cinema release?

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Wednesday, 4 February 2009

Six Degrees of Separation



1993. Dir: Fred Schepisi. Starring: Stockard Channing, Will Smith, Donald Sutherland, Ian McKellen and Mary Beth Hurt. ●●●●○

A tiny lack of funds has meant I had to skip the cinema, and great Kate, at the weekend and watch a DVD instead, randomly selecting Schepisi's 1993 con movie.

I see you may be confused by that categorisation, but in essence Six Degrees follows a con from the point of view of the mark. The film is told in a semi-flashback style, each development of the story being framed by chat at weddings, dinner parties and gallery openings narrated by sophiticated Manhattanites Ouisa and Flan Kitteridge (Stockard Channing and Donald Sutherland). On a seemingly ordinary Saturday night, whilst closing a business deal with Ian McKellen's Suuff eerfrikern accent when Paul (Will Smith) bursts into their apartment bleeding from his stomach.



He then claims to be a) a friend of their kids' from Harvard and b) the son of Sidney Poitier. These both turn out to be gibberish, but he manages to get a clean shirt, a bed for the night and $50. In return he makes dinner, entertains them with incisive, but in retrospect rather dry conversation, and brings a boy from the streets back to the house for some illicit rumpy pumpy.

I won't give any more of the plot away, as it successive twist is both generally satisfying to watch and logical, but ultimately the lives of the Kitteridges and Paul continue to mingle as they find out more about him.

Channing is terrific, as she slowly realises this is not just an after dinner anecdote but a real person that they casually discuss. Her character alone seems to realise that Paul has actually gained very little from them in his trick, aside from giving them fresh perspective on how they view themselves. Sutherland also nails his character but the journey is less dramtic.

The weaker link is definitely Smith, making his transition from Fresh Prince to movie stardom. He's scenes with the Kitteridges are fine with just the right amount of confidence, but he loses his nerve in other places. Especially in the scene with Trent Conway (Anthony Michael Hall), Paul's flamboyant sometime lover. It's an odd scene as Trent is going all doolally over Paul, but when they kiss (an oddly chaste kiss) even the extreme angle of the shot does not hide the gap between their faces and the dubbed "mwoah".

John Guare adapted the film from his 1990 stageplay, which in turn is based on a true incident of a serial con artist pretending to be the son of Sidney Poitier, and whilst knowing that gives the film an aura of truth there are still some jarring elements. It seems hard to believe that all the characters fall for Paul's story; and the ending is a trite forced but these are forgiveable issues.

Judianna Makovsky also needs congratulating on finding a stunning array of suits and dresses that make Stockard Channing appear like a supermodel - she's a new name to me, although she has a fascinating CV, including the upcoming Cirque du Freak which should be a nice stretch for her talents.

By the way, for those of you who don't spend your free time playing six degrees of Kevin Bacon, here is Ouisa helpfully explaining the concept: "I read somewhere that everybody on this planet is separated by only six other people. Six degrees of separation between us and everyone else on this planet. The President of the United States, a gondolier in Venice, just fill in the names. I find it extremely comforting that we're so close. I also find it like Chinese water torture, that we're so close because you have to find the right six people to make the right connection... I am bound, you are bound, to everyone on this planet by a trail of six people."

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Tuesday, 3 February 2009

Trailer - Gran Torino

It's ridiculously quiet on the birthday front, I've kind of stopped running for a bit (it's snowy here in the UK) and I can't thinki of anything original to write about so here's a wee trailer for a little film, just opened in the US (opening here on the 20th) about an old man struggling to come to terms with a multicultural society.

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Sunday, 1 February 2009

Personal News (01/02/09)

Crikey it's February already - where did the month go?

The week started with arehearsal for The Bus, and curiously ended that way as well (I've just got home). On Monday we had our second, more serious read through, during which we discussed each scene and how it shaped the whole - looking at how the action unfolds in particular ways and why it does that.

On Friday and today we blocked the First Act, on the off chance you aren't aware blocking involves working out where we're going to stand on the set. Although in my case it mainly concerns how I'm going to abuse the other members of the cast.

I don't want to spoil the staging in any way but we're performing in the main house at the Birmingham Crescent and we will use every inch of the stage to perform in, which is a massive space. Showing our emotional connections is going to b a real toughie, but it's going to be worth it. As I may have said if you're anywhere near Birmingham in the middle of March you must come along to see it.


On Tuesday and Wednesday I was filming a corporate video for Big Umbrella Media, concerning Leadership and Culture. In retrospect I wish I had been more prepared - I never seem to learn how much more difficult it is working with a camera - but I think I left a reasonably good impression. I also picked up a few good contacts so hopefully something will come of that in the near future.

Apparently I can bulls**t pretty well - a number of the scenes were part improvised - so I may start to look into roleplay work much more as a result.



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Stuart Whitman


Happy Birthday to

Stuart Whitman

81 today


I won't be a Stuart Whitman apologist and defend his right to be here other than to say "The Cimarron Strip" was a roaring adventure of a TV series, a sort of precuser to the Bonanza type programme, and it's success was largely down to Stuart as Marshall Jim Crown.

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