You know it's not a classic week when I go with a foreign language movie as the top choice. Please don't take that the wrong way, obviously I understand that cinema was mostly born in France and that high quality pictures are produced around the world every year, however because I'm mainly in thrall of tinseltown my excitement levels for American product is usually higher (I know more about it for a start) so it's unusual if a little delightful to see a Norwegian drama taking the top spot, film of the week is Oslo, 31 August.
Oslo, 31 August
Almost documentary style in it's realism and hand-held closeness, this Scandivian pic, which comes with very complimentary reviews, follows a thirty something former drug addict on the day in question as he struggles with choosing a future that can provide the comfort he craves.
Runs like a Gay Excitometer: ●●●●●○○○○○
Jack Goes Boating
Philip Seymour Hoffman directs and stars in the big screen adaptation of an off-Broadway hit by Robert Glaudini, essentially a romance between lonely people in New York counterbalanced by the disintegration of another couples relationship, it's the kind of plot you imagine PSH would be drawn to. Also starring Amy Ryan.
Runs like a Gay Excitometer: ●●●●●○○○○○
Machine Gun Preacher
Sam Childer's biopic (hell's angel turned heaven's warrior) that I've followed since it's initial planning stages, also marks the first step of Gerard Butler's new career, although probably won't be his entry into the Oscar race.
Runs like a Gay Excitometer: ●●●●●○○○○○
Tower Heist
Shock horror, it's a Ben Stiller/Eddie Murphy comedy that actually looks quite good, possibly because of it's on the nose plot about disgruntled workers sticking one to the capitalist system, but also because of the fantastic supporting cast (Gabourey Sidibe, Casey Affleck, Alan Alda and Judd Hirsch).
Runs like a Gay Excitometer: ●●●●●○○○○○
The Future
Miranda July's indier than thou style may put off viewers with low levels of quirk tolerance (especially if the thought of her voicing monologues from a soon to be adopted cat makes you wince) but the trailer hints at exploring the staleness of relationships and the importance of finding the real you.
Runs like a Gay Excitometer: ●●●●○○○○○○
Straw Dogs
Updated and relocated to the deep south it's highly unlikely that Rod Lurie's movie will have half the impact or cultural resonance of Sam Peckinpah's gory 1971 thriller. Appalling box office, less than $11m, in the US indicates there isn't even a market for this uncalled for remake.
Runs like a Gay Excitometer: ●●●●○○○○○○
Anatolian Eagles
The Turkish Top Gun....Sort of... Five diverse candidates line up for the opportunity to fly fast jets in the Turkish Air Force. Is the jet squadron so small they only take 5 pilots a year?
Runs like a Gay Excitometer: ●●●○○○○○○○
Human Centipede Part 2
Now the stink over it's initial "banning" from the BBFC has cleared the cut (about 8 seconds) version is still aiming for the gorno crowd, it's a shame as Tom Six's follow-up with it's avant garde black and white cinematography and it's meta plot about an obsessive film fan re-enacting the original human centipede could've been an involving character study.
Runs like a Gay Excitometer: ●●●○○○○○○○
In Time
Is Justin Timberlake a bona fide filmstar? Probably not but at least he gets to run around a lot in Sndrew (Gattaca) Nichol's latest sci-fi thriller set in an alternative future where time is the only currency. Interesting concept at least.
Runs like a Gay Excitometer: ●●●○○○○○○○
Weekend
Much buzzed about gay romance with Tom Cullen and Chris New's one-night stand in Nottingham getting perilously close to something more over the course of one weekend of drugs, sex and intimate chats. I've heard relentless raves from the LGBT community and the festival circuit so maybe I can be persuaded to catch it.
Runs like a Gay Excitometer: ●●●○○○○○○○
Will
A treat for Liverpool football club fans here with Stephen Gerrard getting more screentime than pitch time in recent months. It's a heart warming story about an orphan travelling across Europe to see the Champions League final with the tickets his Dad bought. Trivia fans note Bob Hoskins plays a kindly publican and the film is only showing in the North West.
Runs like a Gay Excitometer: ●●●○○○○○○○
Gunfighter's Pledge
Luke Perry and C. Thomas Howell reappear from under the rock they've been hiding under since the mid 90's to star in a revenge Western with a central gunfight that's completely spoiled in the trailer. It's been in limited release since Monday but no-one seems to have heard about it.
Runs like a Gay Excitometer: ●●○○○○○○○○
Junkhearts
Brit indie about a haunted soldier, a determined rough sleeper and a hedonistic prostitute and the deeply depressing relations between them. Guardian film critic Jason Solomons cameos as a barman, that makes me so mad as any jobbing actor (including myself) would have killed for that role and they give it to a critic. Shame.
Runs like a Gay Excitometer: ●●○○○○○○○○
Snow Flower and the Secret Fan
If laotung, the concept of childhood friend being bound together for eternity, in any way appeals then you can probably add a blob or two to the rating here. Two narratives, one in modern Shanghai the other in 19th century feudal China, explore the meanings of sisterly love.
Runs like a Gay Excitometer: ●●○○○○○○○○
Friday, 4 November 2011
A Date for your Diary (Out this week - 04/11/11)
Wednesday, 1 June 2011
Win Win
2011. Dir: Thomas McCarthy. Starring: Paul Giamatti, Amy Ryan, Alex Shaffer, Burt Young and Bobby Cannavale. ●●●●○
Win Win is not the type of film that does well in cinemas, bereft of high-profile stars, difficult to classify it's genre and featuring small scale family situations that don't sensationalise reality it has all the hallmarks of an American indie film that drifts past the box office figures and doesn't stir up awards talk. This is a shame as Tom McCarthy's third film is as close a vision of realistic humanity that we will see in the multiplex.
Paul Giamatti takes the central role of Mike Flaherty, a schlubby (natch) lawyer, high school wrestling coach and family man in a small town trying to make ends meet with his one man legal practice. He is, on the face of it, a paragon of suburban American values; he tries to set a good example to his young children (there's an extended early joke about the daughter picking up on rude words), dedicates time to his community and is unafraid to unblock his office toilet. There's the small matter of hiding his slow financial position from his wife (Amy Ryan) and his panic attacks from his best friend (Bobby Cannavale) but these are understandable, humanistic faults.
Then, in an attempt to save his business, he does one wrong thing. He take son the guardianship of Leo - an elderly client suffering from early stages of dementia (Burt Young) - and quickly puts him in a Nursing Home, pocketing the $1,500 per month. Within days Leo's hitherto unmentioned teenage grandson (Alex Shaffer) arrives on his doorstep, homeless and on the run from his drug dependent mother (Melanie Lynskey) and blessed with an extraordinary talent at wrestling.
Whilst you can probably guess where the plot goes from there, this movie is never about the twists and turns, it merely presents the predictability of life, exploring the relationships that drive this unlikely family unit and asks whether a bad deed can - in the end - lead to a good result.
Giamatti and Ryan put in sterling work as the central couple, he's all everyman desperation she's flinty and pragmatic, and they balance each other perfectly such that every sentence, every look comes across as the normal affectations of a genuine marriage. You know it's hard for them sometimes, and perhaps there are days when they bicker about the shopping and mundane nature of their existence, but ultimately there's real love in the pairing, somehow these two will make it through life's journey.
Alex Shaffer, as their unexpected visitor, is an odd screen presence, monosyllabic and quiet it takes a while to tune into his performance but it's perfectly judged. Listless and diffident it's a teenager performance that doesn't seem cliched or precocious. Whether charting his first steps at bonding with the other kids on the wrestling team or the unexpected journey the character has to make he is able to convey the emotion without losing sight of the teenage inability to fully express their thoughts. Shaffer is a first time screen-actor (although his experience as a high school wrestling champ is clearly in evidence) and I sincerely hope that he continues to work in the medium.
Cannavale and Jeffrey Tambor (as Giamatti's sad-sack assistant coach) are fine comedic foils to the main action, but have little to really do in the roles. The only missed note is Lynskey who overplays her neediness and whose character does not have the real-world nuances of everyone else.
Ultimately though as writer and director this is Tom McCarthy's film. He has returned to the rich mine of people struggling to make sense of the world around them and generally being missed in a crowd and has once again created characters and situations that we can all relate to and understand, ensuring that no-one is a saint or a rogue but a little of both, a combination of competing character traits. Whilst there is a general lack of ambition in the screenplay it doesn't matter so much when the content is as perfectly formed as the dramedy is here.
One annoying aspect is the product placement. Normally I would hardly notice the coke cans and computers however when one of the lines is "Oh, it's Wii Golf. You should try it, it's great." With more than one occasion of on-screen playing. All of these completely took me out of the picture.
This is a small film, about small things, but don't be fooled you will struggle to find a movie that presents such an intimate and true portrayal of average humanity this year.
Friday, 14 January 2011
20 for 2011: 15 - Win Win
The only Sundance entry on my list is number 15 Win Win.
It's difficult to know what to expect with this one. Thomas McCarthy's last two directorial outings have been the small scale dramas The Visitor and The Station Agent, both of which received plaudits for the initimacy of the vision, themes of lonliness and the performances he elicits from the cast. We should expect all of these comments to continue with Paul Giamatti taking the lead role of a disillusioned attorney/high school wrestling coach who lucks onto a major case which then gets a lot more complex than he first imagined.
It should be a meaty role for Giamatti, the sort of thing he does as bread and butter work, and for him alone I would probably recommend this one. I expect we'll hear more from Sundance soon.
Tuesday, 30 November 2010
Amy Ryan
Happy Birthday to
Amy Ryan
41 today
Like yesterday's birthday honouree Amy slogged away in the business for many years before breaking out in TV's "The Wire" and an oscar nomination for Gone, Baby, Gone - a performance so good Blake Lively was clearly channeling it in Ben Affleck's directorial follow-up this year. Next up for Amy in Win Win where she play the wife of part time wrestling coach Paul Giamatti.
Saturday, 13 March 2010
Out This Week (12/03/10)
Only 5 films out this week. But what a selection of 5 films. Even the one I'm least likely to support would be a contender for being the film of the week in a normal period. I would even go as far to say if I had a lot more money and a lot more time I'd be camping out at the cinema this weekend in order to see all 5 of them. Nevertheless a choice has to be made and, perhaps inevitably, my film of the week is Martin Scorsese's Shutter Island.
The Girl with the Dragon Tattoo
It is extremely rare for a foreign language film to pick up 5 blobs on the excitometer so listen up. This is the first part of the cinematic adaptation of Steig Larsson's acclaimed thriller trilogy, which sees washed up journo working with enigmatic hacker to solve a 40 year old disappearance. The visuals look breathtaking and it's getting fantastic reviews. Worth a watch.
Runs like a Gay Excitometer: ●●●●●○○○○○
Green Zone
Matt Damon is a bomb hunter sent into Iraq following the 2003 invasion to hunt for WMD, the lack of evidence found leads him to investigate a shadowy conspiracy which bureaucrat Greg Kinnear may just want covered up. This could be the unofficial Bourne 4 due to the reteaming of Damon with Paul Greengrass, as well as a repeat of the techniques and feel to those film. Amy Ryan, Jason Isaacs and Brendan Gleeson co-star.
Runs like a Gay Excitometer: ●●●●●○○○○○
Hachi: A Dog's Story
If you can buy Richard gere as a maths professor then you can probably also believe the central conceit of this loyal doggie tale. Lasse Hallstrom directs a film designed purely to have you reach for the tissues when the later montages kick in.
Runs like a Gay Excitometer: ●●●●●●○○○○
The Kreutzner Sonata
Danny Huston, who I persoanlly beleive is one of the most underrated actors of his generation, reteams with Ivansetc director Bernard Rose for another modern re-telling of a Tolstoy classic. As with all the works of the Russian great it concerns failed ambitions and covert affairs, but given the female lead is a pianist (and the title is also a major clue) there will be some stunning music. Danny's sister Anjelica gets a supporting role.
Runs like a Gay Excitometer: ●●●●○○○○○○
Shutter Island
Scorsese's true pulp movie (based on the very pulpy Dennis Lehane novel) has divided critics, with many saying great directors should only concentrate on making great films and not the disposable trash like this. I am still on the edge of my seat with anticipation. After all who else can ratchet up so much tension with an acute camera angle and gothic score. Leonardo DiCaprio leads an all-star cast.
Runs like a Gay Excitometer: ●●●●●○○○○○
Monday, 30 November 2009
Amy Ryan
Happy Birthday to
Amy Ryan
40 today
After years of playing major parts in Broadway and minor roles in films Amy was finally given some credit for her slutty mother in Gone, Baby Gone. Since then she's been cherry picking worthy projects - going for quality rather than big pay packets. I expect she'll be turning up in a lot more great releases in the future.
