I am acutely aware I am late posting, I simply got caught up with other stuff yesterday and didn't have the opportunity to look through this week's releases, which is a shame as from the outside it looks likes a vital and exciting week with fascinating costume dramas from the 20th and 19th centuries as well as a independent comic book feature and a semi-return to form from a much maligned comedian. Not that my choice of film of the week can come as a surprise to anyone, it looks utterly gorgeous, features incredible artistic choices and comes from one of the most exciting British directors working today. The RLAG film of the week is Anna Karenina.
Last weekend Total Recall did indeed smash it's way to the top with the additional 5 days of previews for The Watch proving utterly fruitless when it arrived DOA. This weekend is a bit of a dilemma. Amazingly Anna Karenina has the largest opening with 419 cinemas, and there's certinaly plenty of fanboy hype for Dredd but I think Lawless with it's rising star cast and effective and ubiquitous marketing presence will take the top spot.
Anna Karenina
Joe Wright apparently decided to film Tolstoy's epic love story(s) in a theatre for budgetary reasons however just watching the trailer and reading the reviews proves this was a profound and vital choice underlining the themes of society as show and the formality of the rules of Russian etiquette.
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That has to be one of the most gorgeously presented trailers of the year, making the film a must-see experience.
Lawless
John Hillcoat directs from Nick Cave's screenplay in a return to the partnership that created the superb Aussie Western The Proposition and if this country gangster pic doesn't quite hit those dizzy heights there's no shame in that. Tom Hardy and Shia Labeouf are the stars likely to bring in the punters, ably supported by eyebrow-challenged Guy Pearce, Jessica Chastain and Gary Oldman.
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That's My Boy
OK, I accept in theory the injustice of a Adam Sandler movie getting 4 blobs, effectively meaning it could have been film of the week on at least one occasion. Furthermore the trailer in no way makes me want to see this movie. However the reviews on this side of the pond has talked about how the loser father plot is closer to the on the knuckle Sandler movies of his early career and less like the crap he's recently been making and that should be applauded. Plus Susan Sarandon and James Caan have minor roles and they're always worth watching.
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Debbe: Mir cin Vakasi
Turkish found footage horror movie with some arresting images, and suitably wide eyed acting, but lets be honest it looks like a rip of hundreds of other found footage horrors. Did anyone else think of Paranormal Activity watching this trailer?
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Dredd
The ultra-violent comic book finally gets the adaptation it deserves with Karl Urban wearing on the iconic mask (and not taking it off) and Lena Headley as the "slow-mo" drug pushing big bad. It's a shame the plot device of taking out a tower block seems so similar to the martial arts classic The Raid but them's the breaks.
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Love
Poetic looking sci-fi indie in the vein of 2001 or Solaris that probably deserves a much bigger audience than it's going to get. Gunner Wright is the astronaut isolated on Space Station Mir slowly questioning his sanity in William Eubank's debut film, marking him as a talent to watch.
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Night in the Woods
Talking about found footage horror knockoffs does this British flick, starring rising star Scoot McNairy and a couple of other disposable 20 somethings as they frolic adulterously around Dartmoor before a mysterious hunter comes after them resemble a certain Blair witch to you?
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Raaz 3: The Third Dimension
The third installement in this popular Hindi horror franchise which uses the odd connection of possessed women to link the films. It doesn't have a massive opening but it should do please the faithful.
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Tabu
Portuguese movie that sits firmly within the arthouse bracket with two seemingly unconnected storylines about a devout woman in modern Lisbon and a pop band covering the Everly Brothers in 1960's Mozambique. It won the FIPRESCI prize at the 2012 Berlin Film Festival for it's imaginative and unique contribution to cinematic art.
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When Pigs have Wings
Random comedy about a struggling fisherman who's life takes a turn for the bizarre when he finds a live pig in his net. With gross-out humour played against real-world religious and political strife this looks like a fascinating project.
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Ajj de Ranjhe
Punjabi film that supposedly satirises the relationship between the police and the youth of modern cities. Still it's a pretty cast and probably involves a few nice tunes.
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St. Georges Day
I'm not sure I completely understand the marketing strategy that sees this date specific London gangster flick opening 5 months off from the feats day it's named after but given it's unimaginative plot revolves around football hooliganism, one last heist and strip joints I'm guessing they were happy to see the inside of a cinema.
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Sunday, 9 September 2012
Choosing the best medium (Out this week - 07/09/12)
Thursday, 3 March 2011
New York, I Love You
2009. Dir: Various. Starring: Natalie Portman, Ethan Hawke, Chris Cooper, Cloris Leachman and Julie Christie. ●●●○○
It's difficult to review a collection of shorts like New York, I Love You, do you review each of the shorts as individual pieces, or try to assess the whole collection as a single entity? Luckily we have a template as this is a follow up to the critically acclaimed 2006 film Paris, Je T'Aime which presented a number of Gallic themed romances. Unfortunately New York doesn't live up to the high standards of his European predecessor.
The premise is relatively simple, 10 renowned directors (including Mira Nair and Brett Ratner) take a geographical area of the Big Apple and portray a love affair which somehow encapsulates the feel and atmosphere of the region whilst being linked by a mysterious French girl filming segments of life with her video camera. One of the main issues of the project is that none of the films seems to be uniquely presenting a way of life in the city, they're all stories that could easily be transplanted to an alternative zip code.
Three of the shorts stood out of the pack as worth watching.
Mira Nair is an old hand at the short film format, having worked on 8 and the 9/11 memorial collection. Here the chaste romance between Hasidic bride to be Natalie Portman and Jain divorcee Irfan Khan as they barter over diamond prices, cleverly highlighting the differences and ties between them over their irreconcilable faiths is fascinating and beautifully played.
Ethan Hawke, Maggie Q, Chris Cooper and Robin Wright have two very different conversations about hooking up with strangers in the city, with pull the rug under our feet consequences (alas the first meeting was rather ruined in the trailer) which blindside the audience in a surprising yet shocking way, and both involve the female taking charge of the sexual nature of their conversations reversing the usual gender expectations. Yvan Attal takes a lo-fi hand held approach to the direction allowing the actors room to breathe. Hawke himself probably takes the performance crown for the piece for this section and for his delightfully funny miming in the linking segments.
The final section, and the only one with a real sense of place, is Joshua Marston's Coney Island set two hander with Eli Wallach and Cloris Leachman alternatively hilariously bickering and touchingly quiet as they walk to the seafront. The dialogue between them clearly illustrates the nature of their relationship and the underlying love between them. It's one of the few scenes that offers contrast and a lightness of touch missing from most of the other films.
Other scenes, such as the ponderous Shekhar Kapur segment (wasting John Hurt and Julie Christie) and the overtricksy opener with Andy Garcia and Hayden Christiansen (directed by Jiang Wen), are best avoided but as with all collections there's an unfortunate inconsistency in quality which combined with the drabness of the collection makes this tough to recommend.
Hopefully by the time we get to Shanghai, I love you some of those issues will be resolved.
Saturday, 15 January 2011
Breaking up is so very hard to do (Out this week - 14/01/11)
We're still wading through prestige pictures here in the UK, with some awards calibre performances ready to shine through. Whilst I personally am checking out the low brow option at the multiplexes the other two top scorers both look interesting, with the clear film of the week being: 
Blue Valentine
Ryan Gosling and Michelle Williams (both of whom are very close to oscar nods for their work) headline this make-up/break-up relationship drama from director Derek Cianfrance. The process by which they made the film is as fascinating as the story - using different film stocks for each of the time periods covered, putting up the actors together in a house so they really know each others thoughts etc.
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Conviction
Tony Goldwyn's true life-tale of a mother who enrols in law-school in order to begin a 18 year battle to free her wrongly convicted brother almost screams movie of the week, but it's empowering story and A-list cast (Hilary Swank, Sam Rockwell, Melissa Leo, Minnie Driver and Juliette Lewis) are enough to make it worthwhile.
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The Green Hornet
Seth Rogen and Evan Goldberg may seem an unlikely pair of writers to embark on a superhero movie, given their last collaboration was Pineapple Express, but then the hornet is no ordinary superhero. As the deconstruction of comic book fanboy cinema continues it'll be interesting to see where this fits in the canon.
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Henry's Crime
Just when you thought it was safe to return to the cinema Keanu Reeves has returned with this low key crime caper (he's robbing the same bank, again) with Vera Farmiga and James Caan lending some credibility.
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Yamla Pagla Deewana
It's the Bollywood films that will probably benefit most from the recent changes in my grading system - whether it will be enough for any of them to be film of the week remains to be seen. This one's about a prodigal son returning to the bosum of his con-artist family.
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Final Sacrifice
Also known as Last Letters from Monte Rosa it's a low budget second world war movie focussing on the relationships between German and Italian soldiers during the Allied invasion of Italy. I'm not sure about relationship between this film and Ari Taub previous war movie The Fallen is, but it looks like a very similar feel.
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Travellers
It seems unlikely but this is the second week running where I've issued a one blob rating, and I fully stand by it. This dreadful looking indie brit follows a group of high flying city boys as they go into the Wilderness (of Surrey!!!) and get involved in a deadly game of cat and mouse with some Irish travellers.
Runs like a Gay Excitometer: ●○○○○○○○○○
Friday, 26 March 2010
James Caan
Happy Birthday to
James Caan
70 today
Caan, to many film fans, will forever be associated with the Corleone family. Regardless of the positive work he has contributed to other films like Dogville or Misery it's always his gangster work that the fans respond to. I suppose I can understand his recorded dislike of being pigeonholed, but perhaps it's due to his general poor chpice of roles. Up for many classic parts (including One flew Over the Cuckoo's Nest and Close Encounters) he steered clear away leaving few massive hits on his CV. Assuming it ever gets released I'll next see him in New York, I Love You.
