Showing posts with label Emma Thompson. Show all posts
Showing posts with label Emma Thompson. Show all posts

Saturday, 18 August 2012

Dancing to it's own tune (Out this week - 18/08/12)

I don't give out many really high scores on the Runs Like a Gay Excitometer, I generally like to keep it quite low, after all there have been over 300 releases so far this year and choices have to be make, so the median average score for this year is currently 3, with only one in nine releases getting over 5, and so far only four getting a coveted 9 blobs. They were Oscar candidates The Descendants and Carnage and comic book behemoth The Dark Knight Rises all arriving with plenty of fanfare and international expectation. This week sees a very different film hitting that similar highpoint, indeed it's rather snuck up on me too. With a bevvy of high quality reviews and a strong cast breaking from their comfort zone it hard to not get excited and Canadian actress cum director Sarah Polley second feature, following the devastating Away from Her, simply has to be seen, gaining the runs like a gay film of the week approval it's Take this Waltz.



I think Seth MacFarlane probably really dislikes me, for two weeks in a row I have highly underestimated the box office potential of Ted and it second week drop was indeed less steep than The Dark Knight Rises leaving Mark Wahlberg and his belching toy still on the top of the charts. Sorry Seth, won't happen again. Meanwhile dance movie Step Up: Miami Heat was the highest new entry at 3, but it's performance was spectacularly bad, 60% less tickets than the previous entry in the body popping franchise, stand by for straight of DVD follow-ups. This week sees 2, potentially 3, US chart toppers battling it out in UK cinemas. I imagine Expendables 2 will end in clear third, mainly because of the certificate and the cheating previews of Brave and Bourne Legacy both of whom opened Monday. I suspect Pixar, will ultimately take the crown with it's savvy holiday opening strategy, but this could be an exciting weekend to follow.

Take this Waltz

Michelle Williams stars in this low-key modern tale of temptation and fidelity, whether she leaves her loving but staid husband (Seth Rogen in a piece of genius casting) for hunky rickshaw driver Luke Kirby is the central plot but if Polley brings half of the resonance of her last film then it will be about so much more. Unmissable indie drama.

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Admittedly it has indie written all over it, but I do wonder how it all ends which is a great start for this type of movie.


Brave



As ever with Pixar the animation looks sumptious and genre changing, with Merida's hair in particular bouncing out of the screen in the feminist fairy tale. Although the first tendrils of Disney involvement, there's more than a touch of Mulan in the plot and Pixar first female protagonist could definitely sit in the feminist end of Disney Princesses. The fine Brit cast includes Kelly MacDonald in the lead, Billy Connelly, Emma Thompson and Julie Walters.

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The Bourne Legacy



I've already caught up with the latest Bourne movie, hopefully I'll get the review out in the next few days, and you pretty much get what everyone was expecting. An average action adventure with Jeremy Renner and Tony Gilroy merely keeping the seats warm for Damon and Greengrass. The trailers seem to have worked though, it shot straight to the top last weekend in the US.

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The Bird



It's time for a bit of French existentialism in Yves Caumon's Venice hit. A secretive kitchen worker learns to open up her life to the possibility of romance and friendship after finding a pigeon trapped in her apartment.

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Expendables 2



Sylvester Stallone assembles an even batshit crazier band of 80's rejects for the follow-up to his 2010 hit. Jean Claude Van Damme shows up as villain Vilain and chuck Norris is on fine form to save a few asses. That said it still looks utterly forgettable pulp and the jokes drop like lead balloons over the trailer.

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The Wedding Video



Pretty much relying on the Peep Show audience to turn up in droves this nice looking Brit comedy will probably fall between the cracks before a decent run on DVD sales. Robert Webb is the groom, Lucy Punch the Bride and Rufus Hound the best man employing a professional film crew to follow the wedding preparations.

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The Devil's Business



Reviews of Sean Hogan's low budget horror have rated it reasonably highly, even if it owes a massive debt to last years Kill List. Two hitmen are despatched to dispose a particular thorn in a local crime bosses plan, only when they find a Satanist alter in his garage the job turns out to be more complex than was originally conceived.

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Ek The Tiger



Globe-trotting Bollywood espionage actioner with significant funding from the US, should do well across the international markets thanks to it cross-appeal trailer and stars Salman Khan and Katrina Kaif. Tiger is Khan's undercover codename.

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Saturday, 26 May 2012

Following your own formula (Out this week - 25/05/12)

Very quiet this week, after five weeks of double figure releases we're down to just seven picks hitting the multiplexes (although if I'm perfectly honest only 3 of them are actually coming on strong with the other four all limited release foreign language choices). We're deep within the blockbuster season now, with all the necessary large scale counterprogramming that is such a part of the season. Mind you choosing the top film this week is hardly a stretch. There aren't many US auteurs as recognisable as Wes Anderson, every frame, every shot can instantly be categorised as part of his canon, and it's fair to say the style has it's fans and acolytes - note how last years Submarine was instantly compared to Anderson's work. Unsurprisingly then the runs like a gay film of the week is Moonrise Kingdom.



Last week The Dictator did indeed climb it's way to the top of the box office charts, taking nearly double Avenger Assemble in it's fourth weekend. Although both of these will drift downwards now, especially Sacha Baron Cohen's showcase which will, I expect, slip significantly leaving an easy win for Will Smith's return to the big screen with Men in Black 3.

Moonrise Kingdom

Anderson is an acquired taste, a director who splits audiences between those who can stomach his artificial and ordered universe and those who cannot. Personally I tend to err of the anti-side but I cannot deny the superb reviews and craftmanship involved so it's an easy pick for the top film. As ever the cast for this teenage love story is amazing with Bill Murray, Edward Norton, Frances McDormand, Tilda Swinton and a cameoing Harvey Keitel among the stars on board.

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Read on for a unique take on fairy tales, time travelling aliens and the ultimate in self help book adaptations.




There's an element of enforced quirk to the proceedings, but couldn't you just take any frame from this trailer and put it on your wall?

Tales of the Night



This French animation is both exceptionally simply and deliciously complex in it's central conceit of using traditional silhouette puppetry styles to illustrate original fairy stories. If I had kids this would what I would take to the cinema to see.

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Hommes Libres



The classic French resistance sub-genre gets a welcome twist highlighting Algerian immigrants in their fight to help defeat the Nazi's from within. Cultural and religiously clashes abound in the thriller trailer and any film that includes the combined talents of Tahar Rahim and Michael Lonsdale must be worth taking a punt on.

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Men in Black 3



Coming 10 years after a disappointing sequel amid horrendous production difficulties it comes as no surprise that early reviews of the third entry in the popular comedic alien franchise have been scathing. Based on Will Smith's very own time travel idea it's a chance to see whether his charisma and box office pulling power has been retained after nearly four years off. I certainly won't be heading out to see the finished product no matter how well it performs with the masses or how good Josh Brolin's impersonation of Tommy Lee Jones. Emma Thompson also stars.

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Gabbar Singh



Appearing on just two screens is this Teluga movie from India boasting a simple plot revolving around a cop, and thug with political ambitions and a pretty girl. Expect lots of action, the odd song and a predictable ending.

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What to Expect when You're Expecting



Hollywood has officially run out of ideas as evidenced by the bizarre choice to turn a how to guide about pregnancy into a hyperlink comedy (I expect all the stories end happily). The all-star cast is led by Cameron Diaz, Elizabeth Banks, Jennifer Lopez and Anna Kendrick, each of whom will take the money and run whilst the film flops at the box office.

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Rahe Chardi Kala Punjab Di



Punjabi melodrama about an adopted Muslim girl trying to reunite with her Sikh birth parents and all the emotional and religious baggage you'd expect from such a tumultuous set-up.

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Friday, 15 July 2011

Bring me Harry Potter (Out this week - 15/07/11)

Let's not pretend anything here. There is only one movie that's even vaguely hitting the headlines this week and as much as I'd like to support the Spanish prison dramas or independent grindhouse spin-offs there's no denying the pull of J K Rowling's literary behemoth. So it is with no shock the runs like a gay film of the week is the final battle between good and evil, it's Harry Potter and the Deathly Hallow Part II.



Harry Potter and the Deathly Hallow Part II

As the British film industry grinds to a halt following the closure of the Potter franchise (although you have to wonder if the Potterverse project will lead to some future spin-offs) lets look forward to seeing the lengthy awards calibre supporting cast list (in this film there are 19 acting nominations, 4 wins, from 7 performers - see the labels below - and how many casts can claim that?) doing more serious work over the next couple of years.

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Cell 211

Popular Spanish thriller following a rookie prison screw on his first day who gets caught a riot and becomes chummy with the criminal leading the revolt, and finds his loyalties deeply questioned. The US remake is already being written.

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Bal (Honey)

The third in a loose trilogy of films focussing on the lives of working class Turks from Semih Kaplanoglu. Naturalistic and unsentimental the movie reflects a way of life slowly coming to an end.

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Hobo with a Shotgun

The second fake trailer from Tarantino and Rodriguez's Grindhouse experiment to be made into a full scale movie looks more promising than Machete in that it keeps it's lo-fi premise and ultra-violent concept and save Rutger Hauer as our shotgun wielding hero doesn't overfill the cast with unnecessary cameos. That said it may not be to everyone's taste.

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Treacle Jr.

Independent British movie starring the ubiquitous Aiden Gillen (honestly he seems to be everywhere over here at the moment) and Tom Fisher as two middle aged men unable to conform within modern society, it might be an interesting dissection of modern attitudes to mental health but the trailer isn't making that too clear.

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Zindagi Na Milenge Dobara

Possible the only Bollywood release this week - I say possible as the twice delayed Deiva Thirumagal is also supposedly hitting cinemas this weekend - is a drama about three friends turning their fantasy vacation into reality following one of them getting engaged. No, I don't understand how that serves as a plot synopsis either.

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Friday, 15 April 2011

Emma Thompson


Happy Birthday to

Emma Thompson

52 today


Actress, writer, commedienne, national treasure. Emma defies convention with the wit and intelligence to seamlessly move between her many talents. She's going through a period of taking the money and running at the moment with nothing coming out that really begs to be seen.

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Saturday, 29 May 2010

Musical Blog-a-thon

When Encore's World of Film & TV (have you read the blog? Well worth the visit) first mooted the idea of a Musical blog-a-thon I was initially sceptical. They may be a few corners of the web that will clear out throats and belt out a supportive tune for our own personal favourites but we are preaching to the converted. The rest of the world will shrug and carry on with their general disregard for this much maligned genre.

Therein lies the problem. Musicals are not, in themselves a genre, it's a style of storytelling and due to the theatricality of the style it can be off-putting. We do not, in life, suddenly burst into song so accepting characters to do the same requires a suspension of disbelief that is over and above most movie going experiences. It is not surprising therefore that 2 of the most critically acclaimed and commercially successful musicals from the last ten years have wavered from the traditional formula - Chicago played the musical numbers within the subconscious of the stars, and Moulin Rouge created a world where every act was theatrical and the singing was a natural extension of that world.

If the rise of naturalistic story telling has hampered the musical form what then is the future. There are currently few big budget musical productions being prepped, in the last 18 months of reading the news only 4 come to mind (forgive me if there are more); Steven Soderbergh's Cleo which appears to be going the over-theatrical route, 1990 Tony Award winner City of Angels which takes place in the mind of the main character, Nightclub based The Song is You where the music accompanies the story rather than propels it and the Carey Mulligan starring My Fair Lady update.

It's this last picture that I aim to focus on for the rest of the post. Partly because it's a story that can only be told in a naturalistic way, partly because the remake has a huge amount of responsibility and partly because I love the original so much. So read on for five reasons why My Fair Lady could rescue the Hollywood Musical, and one reason why it means so much to me.





1. The story is timeless

Alan Jay Lerner may have based his musical on George Bernard Shaw's 1913 hit play (albeit removing the tricky prologue and epilogue's and changing the ending) but that's story is simply a modern retelling of the Greek Myth popularised by Ovid. Pygmalion himself was a (fictional) sculptor who's love for his work is so great that the sculpture comes alive. This concept of a work of art coming to life through overwhelming desire is seen in variations as different as Frankenstein, Pinnochio and Laura. In Shaw's version Eliza Doolittle is no longer an inanimate object but the idea that working on her to make her more desirable will corrupt dialect expert Henry Higgins into falling in love is clearly reflective of the original story.

Here is Rex Harrison as Henry Higgins realising he loves his creation:



2. The songs are catchy

With musical theatre the score must either be so good that the listener appreciates the quality of the writing (see just about anything by Sondheim), or you need to leave the auditorium toe tapping away (try anything by Andrew Lloyd Webber). I won't pretend the music in My Fair is particularly well written, but by God it does make you want to join in.

Stanley Holloway's getting married in the morning - I expect you know this one.



3. The love story is complex and real

What exactly are the dynamics of the central romances in My Fair Lady? Well Freddy Enysford-Hill falls for Eliza on first meeting her. Eliza, who's father abandons her, has a thing for older man Higgins. Higgins devoutly states he will never let a woman in his life at the beginning, questions why women can't be more like men and when presented with Eliza on a plate (sorry about the spoiler) doesn't rush to hold her but leans back and asks for slippers (am I the only one wondering what the exact relationship between Higgins and Pickering - "What a fine pair of babies playing with their life size doll" - could be). In short everyone falls for the wrong person, and no-one knows how to truly express their feelings.

This is best expressed in Audrey Hepburn's (Marni Nixon's voice) dismissal of words:



4. It's so awfully British

Being set in Edwardian England has some great advantages for musicals. Primarily because we can understand every line of dialogue and singing (even the accents are very well enunciated), and partly because it will actually be easier to believe the characters breaking into song. Trust me it will work...

Rex Harrison explaining why English is so important.



5. Behind the scenes the craft is incredible

The original is beautiful, every scene is packed with gorgeous detail and period flourishes. Whilst the update will struggle to better it if it comes anywhere close to the creativity exhibited then it will be gorgeous to watch.

Here's the Ascot Gavotte which very nicely showcases the gorgeous costuming, frivolous design and impeccable choreography.



6. When I was a boy I knew every word

The very personal reason I want this to succeed is based on my own childhood. I am truly a child of the VCR, invented and mass produced when I was living in Hong Kong my family were one of the few people to have them when we returned to the UK. There were limited recordings available - naturally I wore out Star Wars and the few Disney titles that were around as well as an unhealthy fixation with Carry On films. My Grandparents were musical fans though and felt that the overt sexuality in Rodgers and Hammerstein pictures like South Pacific and Carousel was too much for me but that My Fair Lady, for all the reasons above, was more suitable. So every couple of weeks as a fresh faced 6 year old I would go to visit them and spend nearly three hours starring at Cecil Beaton's delightful costumes. I did, as I stated above, know every word. So it's very important to me personally that they get this new version right and not sully the original.

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Thursday, 15 April 2010

Emma Thompson


Happy Birthday to

Emma Thompson

51 today


You know they say you should never meet your heroes? Well I think meeting Emma Thompson would probably be quite safe, there are few actresses that come across as normal and fun loving as she does in interviews. She's just come off a fanastically busy year culminating in te acting/writing gig of Nanny McPhee so it's no wonder she's taking a bit of a break from the screen right now.

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Sunday, 4 April 2010

Out These Weeks (19/03/10 - 02/04/10)

Yes, I have been away, which means I have missed out on previewing a good three weeks of films (whther that's three weeks of good films is perhaps more relevant). To tell you the truth I have been deliberately lazy with this. I could have popped into an internet cafe during both of the last couple of weekends, but I just couldn't face it. The overall quality of releases has been so poor I haven't wanted to make the effort to make it to a cinema. Nevertheless I feel I must catch up and tell you my picks for the film of the week, so in reverse order:

Released on 02 April 2010:

Kick-Ass



Released on 26 March 2010:

The Blind Side



Released on 19 March 2010:

I Love You, Philip Morris



Read on for the film synopsis' which I will try to kep within one sentence - now there's a challenge.



02 April 2010

Arjunan Kadhali

Hindi love film.

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City of War

Or the story of John Rabe who ensured the survival of 250,000 Chinese peasants during the Japanese attack on Nanking in 1937-8.

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Clash of the Titans

On of Antiquities more exciting tales adapted again for the big screen with Perseus slaying Medusa and the Kraken. Liam Neeson, Ralph Fiennes and Pete Postlethwaite turn up as Shiny Gods playing with us mortals.

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Double Take

Rare documentary making it onto my list, as Alfred Hitchcock's obsession with doubles is deconstructions through clips and some fake reconstructions.

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How to train your Dragon

Laugh out loud cartoon from Dreamworks with a nerdy viking making friends with an injured dragon which leads to a massive culture clash.

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Kakera: A Piece of our Life

Lesbian dabblings at university in this Japanese drama.

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Kick-Ass

The superhero genre gets deconstructed in this tale of a adolescent who puts on a cape to fight some bad guys, the 12 year old fould mouthed violent Hit Girl is bringing the publicity, Nicolas Cage has actually picked a decent project this time.

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Paiyaa

The usual mix of action and love story in this import. I'm sorry I can't be bothered with anything I'm not already interested in.

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Remember Me

For the Twilight fans R Pattz tries something different. I expect someone major in the plot dies horrifically hence the title. Chris Cooper and Lena Olin have supporting roles.

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Sadiyaan

Based on actual events during the partition of India and Pakistan. Still involves singing and dancing.

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Samson and Delilah

Lyrical account of a developing romance between two aboriginal teenagers. Critically lauded.

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26 March 2010

Angardi Theru

Moved back again, look through previous posts to see if I had anything interesting to say last time...

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The Blind Side

Sandra Bullock's Oscar winning performance as a uptight stinking rich white woman who adopts a homeless black teen - based on a true story. Kathy Bates co-stars.

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Cok Filim Hereketler Bunlar

Turkish version of Valentine's Day - I think it's a big screen spin-off of a popular TV series in Turkey (not completely sure).

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Hum, Tum Aur Ghost

Love story played between two people with opposing views on nearly every subject. Ho hum.

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I Hope They Serve Beer in Hell

I think they call this a comedy, about a best man whose antics at the stag do are so notorious he's disinvited to the wedding.

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Lad Gaya Pecha

Man falls in love wit a ghost - not your typical love story from the sub-continent.

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Lion's Den

Brizilian Women's prison drama with no cliche left unturned as we are invited to watch children taken from their mother, guard brutality and incidental lesbianism.

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Lourdes

Medidation on the ideas of faith and miracles that follows when a paralysed atheist is cured on a pilgrimage.

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Nanny McPhee and the Big Bang

All star sequel (Emma Thompson, Ralph Fiennes, Maggie Gyllenhaal and Maggie Smith) to the hit anti-Mary Poppins children's film. The whole cast are clearly having a ball whilst keeping a stiff upper lip in the war years.

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Nightwatching

Peter Greenaway direct Martin Freeman's cock in this dramatisation of Rembrandt's life around the time he was painting The Night Watch.

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No One Knows about Persian Cats

The Persian Cats are an Iranian pop group trying to maintain their identity and the band where the idea of Western inspired music is considered sacriligious.

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Not the Messiah (He's a very Naughty Boy)

Concert film of the oratoria based on Monty Python's Life of Brian as performed in the Royal Albert Hall in 2009. Probably not as good as the orginal film.

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Perrier's Bounty

Cillian Murphy is on the run from loan shark gangster Brendan Gleason, accompanied by his coffee guzzling father Jim Broadbent and romantic interest Jodie Whittaker - better than your average gangster pic.

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Romantik Komedi

If you couldn't guess from the title it's Turkish, and if I hadn't already described another film above as the Turkish Valentine's Day I'd be using that line here - so now I'm stumped.

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Shank

No, not the gay happy slappers film which came out last year, but a completely unrelated movie about teenage gangs in a apocalptic vision of a future Britain.

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Storm

An attempt to dramatise the legalistic procedures and diplomatic pressures when trying a mass murderer through the European Courts.

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19 March 2010

Bounty Hunter

Gerard Butler and Jennifer Aniston both demonstrate how unfair the Hollywood system is that let's talentless shmucks like them headline. And they drag Cathy Moriaty down with them.

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Ditching

More post-apocalyptic angst, this time set in Northern Ireland.

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Dorothy

Irish suspense movie involving psychiatrists and ghosts and false allegations of child abuse.

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Happy Ever Afters

Delayed comedy about mix-ups at two weddings taking place in the same venue.

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House of the Devil

Now that irony is dead teenagers can once again babysit in scary houses and get picked on by malevolent spirits.

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I Love You, Philip Morris

Jim Carrey goes gay and falls in love with his cell mate Ewan MacGregor in this ribald comedy from the writing team behind Bad Santa.

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My Last Five Girlfriends

We are treated to a parade of the last five girlfriends of our protagonist as he tries to figure what he's doing wrong. The clue's in the title.

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Old Dogs

John Travolta and Robin Williams together at last. Naturally the film is a pile of rotting flesh which no amount of cameos with Ann-Margret and Matt Dillon can save.

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Salvage

British suspense actioner as a contained is washed up in a sleepy cul-de-sac making the hitherto quiet neighbours a violent and distustful mob.

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Scouting Book for Boys

Thomas Turgoose continues to shine in this film about a teenager falling in love with his best friend as he hides her from here distructive family.

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The Spy Next Door

Or Jackie Chan babysitting in this kids comedy. Given the righ audience I expect this will do well.

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Staten Island

Ethan Hawke, Vincent D'Onofrio and Seymour Cassell play a septic tank cleaner, a deaf mute and a mob boss in the titular New York suburb. I don't know which is which.

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Zonad

A rehab escapee manages to persuade a naive Irish Community that he's a visitor from outer space.

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And two films missed from 12 March 2010

The Ape

Norwegian film about a man waking up to find his entire life has been erased.

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Ay Lav Yu

Amazingly this is a Turkish film that manages to cast Steve Guttenburg and Mariel Hemingway as a visiting US coupl. I didn't even know Steve was still alive.

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